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**_How far can a civilized man be pushed?_** A well-to-do couple from Los Angeles (James Marsden and Kate Bosworth) move back to the wife's hometown in southern Mississippi and settle into the now vacant homestead. They enlist some roofers whom she knows from growing up, the leader being 6'4" Charlie (Alexander Skarsgård), a former boyfriend. Rivalry is in the air as he subtly tries to emasculate Amy’s brainy husband and she starts to question his manhood. Havoc ensues. “Straw Dogs” (2011) was shot in late summer, 2009, but not released until two years later. It’s a remake of the Peckinpah's film from 40 years prior, which changes the setting from the Cornish countryside of southwest England to the modern Deep South. It’s a psychological-thriller and so there's a lot of drama and subtle suspense build-up; things don't blow-up until the final act, similar to “Cop Land.” Anyone looking for mindless action should stay away, but those who enjoy films shot in the Deep South will likely appreciate this newer version. There are also similarities to "Of Mice and Men," like the mentally challenged guy who doesn't know his own strength (Dominic Purcell). The conflict here is basically brawn vs. brain or Lynyrd Skynyrd vs. Bach. Some have complained that Marsden was wrong for the role of the protagonist since it called for someone of shorter stature, like Dustin Hoffman in the original, but I feel Marsden is an improvement as David. This is a totally civilized man of average stature (5'10") with an intellectual occupation who is forced to shed all his civilized conditioning and revert back to the barbarism of his ancestors. Meanwhile Bosworth is superior to Susan George IMHO because she’s more intelligent and less all-around annoying. In fact, every key character is superior to the 1971 movie because of quality casting. Skarsgård, for instance, is both more likable or respectable (initially) and intimidating as Charlie compared to Del Henney. And James Caan is simply more entertaining in the role originally played by Peter Vaughan. There are also additional scenes that make it better than Peckinpah’s rendition, like the confrontation in the church parking lot and David’s explanation of what ‘straw dogs’ means. Questions are raised: Why would a rape-victim keep silent? Why is the popular high school cheerleader interested in the local mentally-challenged hunk? Why does the ex-coach hate this poor sob and why is he so rash? A little reflection will answer these and other questions. I like it when films don't spell everything out and make you think. If you appreciate Southern Gothic or Rural Gothic, as well as psychological crime thrillers, you should appreciate this. The flick is sophisticated and sneers at binary good/bad characterizations, rubbing the viewer’s face in humanity’s animalistic (or fallen) nature, which lies just beneath the veneer of civilized proprieties. I should add that there's a hard-to-watch rape scene and at least one other sexually suggestive scene (where you can't make anything out, but you know what's going on), not to mention the mayhem of the climax. But it's mostly an intelligent drama that slowly builds tension. It runs 1 hour, 50 minutes, which is 8 minutes less than the 1971 version (making it more streamlined). It was shot in Shreveport/Bossier City, Louisiana, and Vivian, which is a half hour drive northwest of the city. GRADE: B
Fast Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary Minnesota Fats to a high-stakes match.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
In a small farming valley in Austria in the beginning of the 20th century a tyrannical farmer is found dead, and all the farmhands are relieved to be free of their tyrant. But the farmer was childless, so suddenly they all inherit the farm together. Now conflicts begin, as nobody is the boss and nobody has to obey.
Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.
An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers. When his elder son, who left years ago to seek his fortune in the southern city of Shenzhen, abruptly returns one day, it once again puts under stress the long-broken father-son ties. Presented as a light-hearted comedy, Shower explores the value of family, friendship, and tradition.
In Los Angeles, a wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.
Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.
Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.
A young man, whose only possession is a motorcycle, spends his time riding around the city looking for empty apartments. After finding one, he hangs out for a while, fixing himself something to eat, washing laundry or making small repairs in return. He always tries to leave before the owners get back but in one ostensibly empty mansion he meets the abused wife of a rich man and she escapes with him.
Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.
Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.