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Cargo, produced like a skit on a low budget, is a snoozefest that is not clear about its objective. It starts off with an aspiration to be a sci-fi drama about loneliness in the space where the protagonist (Vikrant Massey), a staff at an imaginary post-death transition services agency, has been spending decades and working solo in a breathing spacecraft named Pushkar-something without much contact with the outer world. Then it aims higher and brings in another character (Shweta Tripathi) and scrambles to turn itself into an emotional story about companionship and how ignorance is not always bliss. Without enough background to the story, the plot (where dead people are sent to this transition agency and then sent back home as a new person in optionally some other form) - which is quite zany, to be fair to writer-director Arati Kadav - does not explain things that are essential for its upkeep and interest and just fumbles every now and then until one of the three main characters utters a few words of philosophy and/or existentialism while sipping cola from a Styrofoam cup. I understand the restrictions low budget can put on the production but watching Cargo reminded me of those substandard comedy skits that they play on Indian national television during primetime with canned laughter in the form of a human being as its main character. Even the spacesuits look like they were made out of bed sheets. That skilled actors like Massey and Tripathi are not utilized well shows the additional lack of efforts put in the writing and the direction. Nothing gels in the avant-garde hopeful that this film turns out to be but falls extremely short of every single ingredient except for maybe the score. Watch the HBO drama Six Feet Under (2001) and space stuff Gravity (2013) again and forget that Cargo even existed and that Vikramaditya Motwane or Anurag Kashyap helped produce this technical drivel for laymen. TN. (Watched and reviewed at its world premiere at the 21st MAMI Mumbai Film Festival.)
The year 2067. A spaceship travels through the menacing emptiness of space carrying thousands of plants and seeds from a dying Earth in search of an uncertain and very distant future.
A young artist lives with his father, a radical friend and music loving young woman. His father dies, the radical friend leaves him and the woman is taken away by her family to another city.
In the movie, we watch a man who thinks that he was born only to die and has collected all his thoughts about this in a notebook throughout his life.
Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.
Two women, Tokiko, a ceramic artist, and her apprentice, Haruka, are in a relationship. The couple is not an intrinsic lesbian, but they fell for each other by chance.
Takatora Kureshima (Kamen Rider Zangetsu) visits a former Yggdrasill Corporation experimental project site located in the poverty and conflict stricken Republic of Torukia. He is visiting the site for the first time in 8 years, and is suddenly attacked! Suprised he stumble and falls into a giant hole which leads into an underground city. This underground city is the most dangerous place in the republic, in which many young men are killed defending themselves while trying to survive. These men use Lock Seeds and Drivers to transform into Armored Riders. Due to the fall Takatora has lost his memory. He is helped by the leader of Team Orange Ride. Unbeknownst to them, there are cameras hidden all around the underground city. The ones behind the cameras are responsible for the conflicts in the city. One man in particular is seeking revenge on Takatora for a specific reason...
A young Colombian man receives a voice message from home while grappling with cultural differences at a London dinner party with his new English girlfriend.
In 14th Century England, this tale of murder and mystery follows a fugitive priest who falls in with a troupe of actors. As they arrive in a small town, the actors encounter a woman being sentenced to death for practicing witchcraft and murder. Discarding the expected bible stories, the actors now stage a performance based on the crime. Through the performance of the play, they discover a mystery.
The all female crew of the transport ship Muse is on a mission in deep space. They pick up an SOS signal and discover a derelict space cruiser where all the women have died mysteriously. They take the only survivor, a young woman named Flair, and detonate the ghost ship. However, the danger is just beginning. With Flair on the Muse, the romances between the women begin to take a new turn. One by one, the crewmembers are attacked by a mysterious alien presence, desperate to find a way to reproduce with human women!
Ex-wrestler and Tennessee Sheriff Buford Pusser walks tall and carries a big stick as he tussles with county-wide corruption and moonshining thugs.
In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society.