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Ripping Yarns! Reap the Wild Wind is directed by Cecil B. DeMille and is adapted collectively to screenplay by Alan Le May, Charles Bennett and Jesse Lasky Jr. from a Saturday Evening Post story written by Thelma Strabel. It stars John Wayne, Ray Milland, Paulette Goddard, Raymond Massey, Robert Preston, Susan Hayward and Lynne Overman. Music is by Victor Young and cinematography is shared between Victor Milner and William V. Skall. The Florida Keys in the 1840s, hurricanes are rife and the salvagers of Key West rush to the frail schooners to claim salvage rights... Whilst not up with the best of DeMille's epics, this is however a joyous romp of a high seas adventure. A top notch cast line up for some period flavours that is unfurled in glorious over saturated Technicolor. We have a rocky love triangle, dastardly villains with dishonesty poring from every bead of sweat, sword play, fisticuffs, fogs and a giant squid! and it even has time to be a court room drama as well. In short it is a ripping sea faring yarn. The budget was considerable and DeMille ensures it was lavishly spent, and thus the pic was a box office winner and an Academy Award Winner for special effects. It's a touch too long, and gets a little bogged down in the mid-section, but entering the home straight it pulls itself back up and ends briskly, with Duke Wayne splendidly rounding off an interesting characterisation. 7/10
The last twenty minutes or so go some way to redeeming this otherwise rather meandering romantic drama that has a cast that looks good on paper but is much less effective on screen. John Wayne ("Jack Stuart") is the captain who has just lost his ship after it was wrecked on a dangerous reef by men allegedly working for Raymond Massey ("King Cutler"). His boss Walter Hampden ("Commodore Devereaux") is less than impressed and Duke is demoted and ordered to take Ray Milland ("Tolliver") to Key West. Meantime, the feisty Paulette Goddard ("Loxi") who is all but engaged to "Stuart" arrives on the scene and straight onto Milland's radar... Now Wayne has got to prove his ship was deliberately sunk and keep his girl from his duplicitous rival. The story is pretty procedural and lame, to be honest - Goddard brings some charm to the film, but Milland (and his ventriloquist doggy act) gets a bit wearisome after a while and neither Wayne nor the usually sinister Massey are anywhere near their best. It features some good underwater antics towards the conclusion but the story is just a bit too weak and predictable. Colourful, though...and it's got a monkey!
A young boy called Pip stumbles upon a hunted criminal who threatens him and demands food. A few years later, Pip finds that he has a benefactor. Imagining that Miss Havisham, a rich lady whose adopted daughter Estella he loves, is the benefactor, Pip believes in a grand plan at the end of which he will be married to Estella. However, when the criminal from his childhood turns up one stormy night and reveals that he, Magwitch, is his benefactor, Pip finds his dreams crumbling. Although initially repulsed by his benefactor, Pip gradually becomes loyal to him and stays with him until his death.
Nineteen year old pioneer woman Marty has recently married. She goes west with her husband Clem, hoping to start a new life. But Clem unexpectedly dies, and Marty finds herself alone, two months pregnant. Widower Clark offers her a marriage of convenience: she needs food and money, and he needs someone to take care of his daughter Missie. She accepts his proposal as a temporary solution.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
After capturing the notorious drug lord Franz Sanchez, Bond's close friend and former CIA agent Felix Leiter is left for dead and his wife is murdered. Bond goes rogue and seeks vengeance on those responsible, as he infiltrates Sanchez's organization from the inside.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town's chief of police, a young marine biologist, and a grizzled hunter embark on a desperate quest to destroy the beast before it strikes again.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.