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***Big Dumb Blockbuster Monster Fun*** Although writer/director Stephen Sommers had an unexpected hit with 1999's "The Mummy," he went overKILL with the 2001 sequel "The Mummy Returns," a prime example of modern blockbuster dreck that's full of explosions and "exciting" things going on, but somehow is strangely boring. That's the problem with 2004's "Van Helsing," although not as bad. THE PLOT: In 1887 Van Helsing (Hugh Jackman) teams up with Anna (Kate Beckinsale) in Transylvania to fight Dracula, his three lovely but vicious brides, the Frankenstein monster, werewolves, vampire babies, etc. It won't take long for the viewer to perceive that "Van Helsing" shouldn't be taken too seriously. It's a partial parody/homage of the classic Universal monster movies and part serious, just barely. Imagine "Bram Stoker's Dracula" (1992) with the over-the-top thrills of Indiana Jones and the flair of classic monster parodies like “The Vampire Happening” (1971) or "Young Frankenstein” (1974) and you'd have a good approximation. The film looks good, but there's too much CGI and some of the monsters look really cartoony, like Mr. Hyde and the werewolves. Others look quite good, like the flying vampire brides and Frankenstein's monster. As was the case with "The Mummy Returns" the film is strangely tedious despite all the manic happenings. Thankfully, there are worthy hints of depth, e.g. the Frankenstein monster and Anna. I wish there was more. Speaking of Anna, Kate Beckinsale is definitely one of the highlights here as she looks stunning throughout in an amazing form-fitting costume and thigh-high boots seemingly appropriate for the late 1800s (speaking as someone who’s not even a Beckinsale fan). Josie Maran and Elena Anaya are also striking as two of Dracula's wives, Marishka and Aleera. Needless to say, excellent job on the female front. On the other side of the spectrum, Jackman is a great, masculine leading man, perfect for the role. Richard Roxburgh (Dracula), David Wenham (Carl), Kevin J. O'Connor (Igor) and Shuler Hensley (Frankenstein’s monster) are all entertaining or effective. At the end of the day, though, "Van Helsing" barely rises above the limitations of what it is: a big, dumb modern blockbuster with all its over-the-top trappings. Considering the $160 million thrown into it, it shoulda/coulda been better. The story needed time to breathe and less constant mania. The movie’s also over-long at 2 hours and 11 minutes. Still, it's better than "The Mummy Returns" and there's enough here to make it worthwhile, if you're in the mood for this type of fare. THE FILM WAS SHOT in the Czech Republic, Rome and Paris with studio work done in Southern Cal and Orlando, Florida. GRADE: B-/C+
Absinthe Actioner! Van Helsing is written and directed by Stephen Sommers. It stars Hugh Jackman, Kate Beckinsale, Richard Roxburgh, David Wenham, Shuler Hensley, Elena Anaya, Will Kemp, Kevin J. O'Connor and Alun Armstrong. Music is by Alan Silvestri and cinematography by Allen Daviau. Famed monster hunter Van Helsing (Jackman) is sent to Transylvania to stop Count Dracula's (Roxburgh) fiendish plan involving the Frankenstein Monster and the Wolf Man. Well it was universally savaged by the pro critics and is considered a flop. Yet whilst understanding those things, it does for a reason hold above average ratings on the big internet movie sites. It did find a market (and continues to do so), it's like one big long MTV video, a sort of chaotic monster fun frolic in rock opera style. It's effects laden, which is no great thing since they are shoddy, and the dialogue is often as cringe worthy as some of the accents are. Yet it's still a thrilling ride, a strap yourself in and run with it job, to be in the company of sexy lead actors in Gothic garb and devilish period surrounds. Loud and boisterous for sure, and tacky at times, but exhilarating all the same for those after some pure escapist carnage. 5/10
**Van Helsing doesn't deserve its early grave and should be resurrected for more fun adventures.** Why do people love to hate such an enjoyable movie? Van Helsing falls much more in the adventure genre than horror but still has a little of the edge of a scary movie. Stephen Sommers' influence can be felt throughout with a lot of the same charm that made The Mummy (1999) so great. Van Helsing showcases many of the Universal classic monsters while building a shared universe that should have been explored more than once. With big names like Hugh Jackman and Kate Beckinsale, blockbuster effects, goofy fun moments, and all the adventure one could hope for. Van Helsing deserves way more love and a lot less disdain. Sure it isn't a perfect movie, but it was a much better attempt at a shared Monsterverse than Tom Cruise's The Mummy (2017) and was entitled to more.
Sorry, but this is just all over the place. A potpourri of myths and legends loosely connected with the famous vampire hunter that just don't gel at all. Doctor Jekyll, Mr Hyde, Victor Frankenstein and his monster all vie with Count Dracula for the attention of a really rather lacklustre Hugh Jackman in the title role. Kate Beckinsale sort-of recreates her "Underworld" role as she becomes his kick-ass sidekick. It's fairly action-packed but the scenes go on for far too long, the script is cheesy, the CGI just isn't great and the attempts at humour don't work well either.
British army sergeants Ballantine, Cutter and MacChesney serve in India during the 1880s, along with their native water-bearer, Gunga Din. While completing a dangerous telegraph-repair mission, they unearth evidence of the suppressed Thuggee cult. When Gunga Din tells the sergeants about a secret temple made of gold, the fortune-hunting Cutter is captured by the Thuggees, and it's up to his friends to rescue him.
Doctor Mišić comes to the Jabučevački cacstle, a place known as haunted by ghosts and wraiths. He's stubborn supporter of common sense and logic, taking all assumptions about transcendent world and fourth dimension to be silly. However...
A man heading through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.
Sue, the only daughter of a squire comes back from a fashionable European resort where she spent vacation. Arno, an impoverished nobleman wins her heart and they soon get engaged. But in the farm is the manager's son named Mor whom Sue spent her childhood with. Their reunion flare up old emotions, but soon strange things begin to happen. The stories about a werewolf start to circle around.
A camera crew unearths a thousand year old vampire from Mesopotamia. Years after his rise from the grave, the vampire becomes a famous horror film director and holds auditions for his up and coming film. Four young hopefuls are chosen and are invited to spend the night at the vampire's house. At dinner the vampire reveals his true nature to his guests and the real reason why they are there, to kill him before dawn, as he has grown bored with his existence.
Deathly ill Count Dracula and his slimy underling, Anton, travel to Italy in search of a virgin's blood. They're welcomed at the crumbling estate of indebted Marchese Di Fiore, who's desperate to marry off his daughters to rich suitors. But there, instead of pure women, the count encounters incestuous lesbians with vile blood and Marxist manservant Mario, who's suspicious of the aristocratic Dracula.
In a 16th-century European town, the ruling family has been given a prophecy that, should there ever be twin boys born, the younger will murder the older; so is dismayed when twins are born to the popular baron. The older grows to be a selfish, slovenly man, who inherits the castle at his father's death and becomes ruler over the formerly happy villagers. He enjoys his power until he learns his younger brother is returning from abroad and, afraid of the prophecy, he determines to murder his sibling, hide his body in the "black room" - an old torture chamber sealed away behind the fireplace - and then impersonate him, right down to his withered arm. In this way he hopes to not only avoid the prophecy, but also escape consequences of his other criminal deeds and obtain marriage to a local girl of the nobility...
Balthazar Blake is a master sorcerer in modern-day Manhattan trying to defend the city from his arch-nemesis, Maxim Horvath. Balthazar can't do it alone, so he recruits Dave Stutler, a seemingly average guy who demonstrates hidden potential, as his reluctant protégé. The sorcerer gives his unwilling accomplice a crash course in the art and science of magic, and together, these unlikely partners work to stop the forces of darkness.
As Father Severino Mallari, a 19th century priest during the Spanish occupation, descends into madness, his life and work as a parish priest in Pampanga is recounted, where he reportedly murdered 57 people to aid his ailing mother.
Remake of the 1991 low-budget thriller. Jeff works the night shift, then comes home to his domineering mother, who has the grisly habit of slaughtering neighborhood children to satisfy her insatiable bloodlust.
Darren Shan is a regular teenage kid. He and his friend Steve find out about a Freak Show coming to town and work hard at trying to find tickets. They do, and together they go to "Cirque du Freak" where they see many strange acts including a wolf-man and a bearded lady