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Without even a bar from "Thus Spake Zarathustra", Jean-Jacques Annaud takes us on some brutal and authentic time travel back to caveman days. That's where we encounter three warriors who are violently dispossessed of their home (and their fire) and find themselves at the mercy of the wilderness, the weather, the wildlife and some other tribesman who are perfectly happy to endorse the kill first speak afterwards philosophy. On that latter point, a whole new series of verbal communications - not words as such - has been developed for an on form Ron Perlman ("Amoukar"), Everett McGill ("Naoh") and Nicholas Kadi ("Gaw) to use as they roam in search of their stolen life giving element. The dynamic amongst the three friends becomes a little complicated when they are captured and escape with the addition of "Ika" (Rae Dawn Chong) who arouses in them passions hitherto suppressed. It's the bleakness and simplicity that makes this film work. They are dirty, injured, bleeding, tired, exhausted - indeed watching it can be quite a tiring experience as nature makes it quite clear that before man began to cultivate it's brain, it was mid-table on the chart of evolution and at a distinct disadvantage most of the time when facing the animal kingdom. Will they find fire? What will they do with it if they do? Well I found myself quite enthralled by their journey, the complete lack of a traditional script and a look at an existence that really was survival of the fittest, tempered by some quite human - even funny - moments.
**_A well-done fantastical portrayal of early humans_** After a tribe of cave-dwelling homo sapiens in prehistory are attacked by neanderthals, three members of the group (Everett McGill, Ron Perlman and Nicholas Kadi) leave to apprehend fire, since they don’t know how to create it themselves. On their journey, they run into saber-toothed tigers, cannibals, a friendly female in body paint (Rae Dawn Chong), woolly mammoths and Ika’s more evolved tribe where the chief is interested in eugenics. "Quest for Fire" (1981) is a serious attempt to depict people from prehistorical times in the tradition of “One Million Years BC” from fifteen years earlier (the one with Raquel Welch), although don’t expect any dinosaurs. Like that movie, there's no talking as we understand it; only grunting and primitive lingo. This of course prevents the flick from being compelling in the sense of interesting or entertaining dialogues, which leaves us with a dramatically dull film with amazing locales and visuals. But there are some worthwhile scenes, such as a member of the Ivaka tribe showing Naoh their advanced knowledge of creating fire with a hand drill. The special effects were shot live with no optical additions done in post-production. The Smilodons (saber-toothed tigers) were obviously just lions with long canine teeth added while the woolly mammoths were played by trained circus elephants. Rae Dawn Chong does well in her role as the lithe girl, but don’t expect a stunning female on the level of Lisa Thomas as Sura in “One Million Years BC” or Beth Rogan in the 1961 version of “Mysterious Island.” The film runs 1 hour, 39 minutes, and was shot in Canada (Greig's Caves on the Bruce Peninsula near Lion's Head, Ontario, and Cathedral Grove on Vancouver Island), Kenya (Lake Magadi) and Scotland (the Highlands and Tsavo National Park). I heard the mammoth scenes were done in Iceland. GRADE: B-
A romantic story of a young nobleman who sees a beautiful girl at the carnival who seems familiar to him. He feels that he saw her in an old castle, where only the old countess and sister live. It is precisely in their salon in the city that she meets the girl again and learns her history
A love story between a barber and a serf actress who find themselves in an environment that combines savagery with a veneer of enlightenment. Based on Nikolai Leskov's short story "The Toupee Artist".
After being shipwrecked, the Robinson family is marooned on an island inhabited only by an impressive array of wildlife. In true pioneer spirit, they quickly make themselves at home but soon face a danger even greater than nature: dastardly pirates.
A spiritual adventure film chronicling the discovery of ancient scrolls in the rainforests of Peru. The prophecy and its nine key insights predict a worldwide awakening, arising within all religious traditions, that moves humanity toward a deeper experience of spirituality.
Fleeing New York City, a failed marriage and a fragile mental history, artist Robert Forrester moves to small-town Pennsylvania. There he becomes fascinated with the simple domesticity of a beautiful neighbor, watching her through the windows of her home -- until she invites him in for coffee. He is drawn into a relationship with the young woman whose boyfriend goes missing; Robert becomes a murder suspect, gradually sensing he is the target of a larger plot.
The story of five teenage girls who form an unlikely bond after beating up a teacher who has sexually harassed them. They build a solid friendship but their wild ways begin to get out of control.
A Jewish pawnbroker, a victim of Nazi persecution, loses all faith in his fellow man until he realizes too late the tragedy of his actions.
Haunted by his traumatic past and cautious about the prospects of an uncertain future, a fourteen year old boy named Juhani winds up in an isolated boys' home known as The Island. Juhani has been shuttled between foster homes and temporary families for the past six years, leaving any prospect of stability in his life a faded dream. When Juhani winds up in a remote shelter for troubled youth known as The Island, he has little idea of how ruthless superintendent Olavi Harjula can truly be.
In the 1800s frontier, Missie Davis is a bright and beautiful schoolteacher whose love for the prairie is matched only by her passion for books. When Missie encounters Grant, a handsome New England railroad executive, she feels as though she's met a hero from one of her novels.
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
He is rejected by his sister when the brother floats the idea that their father move from his house to her apartment. The father has other ideas however and shows up unannounced at her doorstep with his belongings. She has little space, a boyfriend she lives with it and does not need a cranky father.