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**_George C. Scott, Val Kilmer and Rebecca De Mornay in the Victorian Era_** In Paris, a recently-retired detective (Scott) is encouraged by his daughter (De Mornay) to investigate a shocking double murder in order to save her fiancé. Kilmer plays his associate godson while Ian McShane is on hand as the Prefect. "The Murders in the Rue Morgue" (1986) is a fairly faithful adoption of Edgar Allan Poe’s tale, published in 1841. This is in contrast to the 1971 film of the same name (with Jason Robards and Herbert Lom), which totally deviated from the original yarn and is more akin to “The Phantom of the Opera.” Here, scriptwriter David Epstein wisely augmented Poe’s story to spice it up a little and make it worthy of a feature length movie, albeit a TV production. (Poe's tale is only about 38 pages in modern form). It's Victorian mystery/horror in the manner of Hammer's "The Two Faces of Dr. Jekyll" (1960) and Klaus Kinski’s "Jack the Ripper" (1976), as well as later films like "Edge of Sanity" (1989) and “From Hell” (2001). It lacks the colorful sensationalistic elements of those movies and focuses on the murder mystery but, remember, Poe’s tale is famous for being the first fictional detective story and obviously influenced Arthur Conan Doyle’s Sherlock Holmes, amongst others. I first became aware of “Murders in the Rue Morgue” as a teen due to Iron Maiden’s song on their (best) album KILLERS, but never read Poe’s yarn and so wasn’t familiar with the creative revelation of who the murderer is. As such, this kept my interest. No, it’s not as colorfully entertaining as most of those other movies noted, but you can’t beat the authentic French locales and the great cast. The special effects for the ending are surprisingly convincing and hold up. The movie runs 1 hour, 40 minutes, and was shot in the Paris area, including Notre Dame Cathedral, the Place de l'Opéra and in Buttes-Chaumont, the latter standing-in for the Bois de Boulogne. Almost a third of it was filmed away from the city, such as the prison sequences, which were done in Corbeil, Marne, which is in the country 115 miles east of the city. GRADE: B-
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
Suspicious of the events ensnaring their former colleagues, Nite Owl and Silk Spectre are spurred out of retirement to investigate. As they grapple with personal ethics, inner demons and a society turned against them, they race the clock to uncover a deepening plot that might trigger global nuclear war.
Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.
An impressionable teenage girl from a dead-end town and her older greaser boyfriend embark on a killing spree in the South Dakota badlands.
In a gritty and alternate 1985, the glory days of costumed vigilantes have been brought to a close by a government crackdown. But after one of the masked veterans is brutally murdered, an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so they uncover a sinister plot that puts all of humanity in grave danger.
Santa Claus is actually a demon who lost a bet with an angel, so he became the giver of toys and happiness. But this year the bet is off, and Santa is about to return to his evil ways.
Arthur Milton aka Der Hexer (The Magician/Ringer) must return to London after his calling card was left at the scene of a murder he did not commit.
On a desolate country highway, two homeward-bound teens are nearly run off the road by a maniac in a beat-up truck, and later spot him shoving what appears to be a body down a sewer pipe.
Baltimore. New Year's Eve. A talented but troubled police officer is recruited by the FBI's chief investigator to help profile and track down a mass murderer.
Badal is a victim of the 1984 riots, brought up by a terrorist. Badal aims to kill the treacherous police officer who had killed his parents and his loving sister. He takes shelter in the house of an honest police officer and falls in love with a minister's granddaughter. Will he be able to accomplish his revenge?