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Now the "Meg" (2018) itself could never be called a good film, but it is a great deal better than this muddled and derivative effort. "Jonas" (Jason Statham) is now working as a sort of eco-policeman trying to stop the dumping of toxic waste into the oceans, and after a snappy "007" style opening, he is daringly rescued by "Mac" (Clff Curtis) and "Rigas" (Melissanthu Mahut) and returned to the research centre where he is reunited with "Jess" (Skyler Samuels), "DJ" (Page Kennedy) and the adrenalin seeking "Juiming" (Jing Wu) who are nursing the daughter of the last megalodon! The team now travel to a remote installation where they must investigate some more of the beasties that live below the frozen layer put there by nature to ensure than we don't mix. Thing is, it seems they are not the only folks who've hit on the idea that there might be untapped riches 25,000 feet below the surface, and soon our team are involved in a contretemps with "Montes" (Sergio Peris-Mencheta) that introduces treachery, double-dealing and causes explosions galore that release not just megs, but also an enormous octopus into the ocean where they can merrily terrorise the holidaymakers on the nearby resort of "Fun Island". Can "Jonas" et al manage to take on four of these super-creatures before they've snacked their way through the tourists? This might have been a bit better if they'd just cut all the preamble and gone straight to the rig and to the underwater action, big fish and pyrotechnics. As it is, we spend far too long meandering about on the surface meeting the characters and there's way too much pointless dialogue throughout - though one or two half-hearted witticisms and puns help a little - before an ending that is entirely predictable and really rather processionally so. The acting is just banal, the continuity is all over the place - as is the editing - and the huge chunk of Ali Baba money that's floated this thing ensures that the switches from the English to Chinese languages actually smacks more of keeping everybody happy in the boardroom rather than engaging anyone in the actual cinema. Simply, even the charismatic Statham cannot rescue this from the doldrums of CGI-led mediocrity that churns out an unremarkable hybrid of "Jaws" and "Jurassic Park". It does need a big screen. If you wait til it's on the telly then you will be even more disappointed. Mind you, is that actually possible?
Meg 2 doesn't really feel like a follow up film, to its 2018 counterpart. Indeed, the latest instalment feels more like a platform for various action "stunts". The giant,prehistoric shark's are essentially window dressing, for a variety of frenetic action sequences, where things blow up, are torn apart, shot at, harpooned, people gobbled up Jaws and Jurassic Park style and what I can only describe as acrobatic, aquatic scenes with jet ski's and the like, all take place. They even throw in a giant squid, to spice things up. Or put more simply, this is a messy mash up, of derivative, often dispirit ideas. Unsurprisingly, the results a bit chaotic, with no compass to direct the viewer, in terms of the story, such as it is. Its quite watchable, in its own way but it never really goes anywhere. In summary, watchable on a very visually superficial level. Lots of action but little in the way of an established story, to pull the whole thing together.
Good Movie
Pretty tough sitting through this one, especially the first half where a good portion was so dark, maybe to hide the bad visual effects, I couldn't even tell what was going on. There were a few moments of the camp that made the first one at least entertaining, but not enough to keep me engaged. On the plus side, Jason Statham was alright for what he's given, otherwise this just was a waste of time. **2.0/5**
The Meg 2: The Trench is exactly what I expected, and honestly, what I wanted from a movie about giant sharks: campy fun with over-the-top action, sleek visuals, and just enough chaos. The cinematography stood out, especially the camera transitions and underwater shots, which were beautifully done. The special effects carried their weight too, making the whole experience visually exciting. The pacing worked well. The first act transitioned smoothly into the second, where things started to intensify setting things up well and the intensity ramping up toward the finale. The acting was decent, maybe overacted at times, but it matched the tone of the movie. Sure, the script had its flaws (I mean, swimming normally at 25,000 feet below sea level? Come on), but those issues didn’t ruin the experience unless you’re the type of viewer who’s only there to nitpick. This movie isn’t meant to be serious or realistic, it’s a popcorn flick through and through. If we judged every movie on plausibility, most would fail spectacularly. The Meg 2 is fun for what it is: a one-time watch that lets you escape into its ridiculous world for a couple of hours.
'Meg 2: The Trench' is rubbish. It's just the original with added (lousy) human antagonists and, eh, a giant octopus? I was zoned out by that point if I'm honest, it's no Kraken from 'Pirates of the Caribbean', that's for sure. Jason Statham is forgettable in this too. That's a big problem, given he is the glue that ought to hold these films together. In fact, the best person in this flick is Page Kennedy, who is amusing and has one cool fight scene; good (if minimal) character development, that. Sophia Cai and Cliff Curtis remain the best of the rest. It's just all so dull, I was totally uninterested by the end; I felt my eyes roll hard when they revealed Fun Island, which is practically a carbon copy of what happens at the end of 'The Meg'. With all the negatives noted, it still didn't overtly annoy me; so (narrowly) avoids a lower score. I forgot, until now, that Ben Wheatley also directed 'Free Fire' (5/10) and 'Kill List' (3/10)... sheesh. Fingers crossed that one day I'll see one of his movies and enjoy it.
Set in London in the early 1970's, supposedly for teen thrills, Johnny organises a black magic ceremony in a desolate churchyard. The culmination of the ritual, however, is the rejuvenation of Dracula from shrivelled remains. Johnny, Dracula' s disciple, lures victims to the deserted graveyard for his master's pleasure and one of the victims delivered is Jessica Van Helsing. Descended from the Van Helsing line of vampire hunters her grandfather, equipped with all the devices to snare and destroy the Count, confronts his arch enemy in the age-old battle between good and evil.
A scientist realizes his dead wife is an organization of mitochondria bent on making a new species that will wipe out humanity.
When an explosion at an oil well threatens hundreds of lives, a crack team is called upon to make a deadly desert crossing with nitroglycerine in tow.
The Prince of Darkness casts his undead shadow once more over the cursed village of Kleinenberg when his ashes are splashed with bat's blood and Dracula is resurrected. And two innocent victims search for a missing loved one... loved to death by Dracula's mistress. But after they discover his blood-drained corpse in Dracula's castle necropolis, the Vampire Lord's lustful vengeance begins.
Thrill-seeking teenagers resurrect a demon from his grave and a bloody rampage for revenge begins.
He threw their loved ones into a swamp. Now they want revenge... But when a demon does their dirty work, it comes at a price.
During a bitter family feud, Jodie Hatfield, and her boyfriend Ricky McCoy, decide to leave town to avoid being found out, but are soon caught in the act. Wanting vengeance, he seeks out the monster Pumpkinhead, and resurrects it seek revenge on the family. Despite being warned away by the ghost of Ed Harley, his vengeance plan starts out, and the Hatfield family is soon under siege by the powerful demon. Not accepting the legend of the creature and believing their arch-rivals are the real cause, the two families attempt to go to war, only to be stopped when Pumpkinhead attacks the Hatfield house. Putting aside their differences, they band together to stave off the creature before it's vengeance pact is completed.
A detective starts spiraling out of control when a wave of gruesome murders with seemingly similar bizarre circumstances is sweeping Tokyo.
Godzilla has become a distant memory for Japan when the destruction of a US submarine raises alarms for Admiral Tachibana. His estranged daughter Yuri investigates the legend of the guardian monsters, who must rise to protect Japan against the vengeful spirits within Godzilla that seek to destroy both the nation and its people for the suffering they inflicted in the Pacific conflict.
To save the world, Mothra goes back in time in an attempt to defeat a younger King Ghidorah.
Strange things are happening in Druid Hills, Kentucky, known mainly for its voluminous corn output. Victims of monsters in cornfields begin cropping up, and witnesses are saying there are large Great White sharks swimming in the corn stalks.