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_**Adds some needed pizzazz to the Hammer series**_ A young man (Christopher Matthews) running from the law ends up at an ominous castle and goes missing. Thus his brother and a friend (Dennis Waterman & Jenny Hanley) travel to the dubious dwelling to find him, but come face-to-face with a formidable fiend (Christopher Lee). “Scars of Dracula” (1970) is a sort of reboot of the Hammer series in that it’s basically a redo of Lee’s first two stabs at the undead Count: “Horror of Dracula” (1958) and “Dracula, Prince of Darkness” (1966), not to mention it mixes in aspects of “Dracula Has Risen from the Grave” (1968) and, most significantly, the plot of “Psycho” (1960). For those who question the latter, just reread the plot description above. Some viewers gripe that this one doesn’t fit the chronology of the series for a couple of reasons, yet these supposed conundrums are easily explained: Dracula was reduced to dust at the end of the prior film, “Taste the Blood of Dracula” (1970), but Klove had instructions to seek out and acquire the Count’s ashes if he was ever slain and bring them back to the castle in Transylvania where one of his creatures of the night would supply the blood necessary to resurrect the Prince of Darkness. As for the differences in the look of the castle, Hammer had moved to a different studio and so of course it looks different than it did when they made “Horror of Dracula” thirteen years earlier. Although marred by the cheesy bat sequences, “Scars of Dracula” is one of the more entertaining installments due to the spirited Paul, a bit o’ genuine amusement in the first act and a generally compelling story (hey, it worked for “Psycho,” why wouldn’t it work here?). The female cast doesn’t hurt, particularly the lovely Hanley as Sarah, but also Anouska Hempel (Tania), Delia Lindsay (Alice) and Wendy Hamilton (Julie). For those interested, Hammer did nine Dracula-themed films from 1958 to 1974 as follows: Horror of Dracula (1958); The Brides of Dracula (1960); Dracula: Prince of Darkness (1966); Dracula Has Risen from the Grave (1968); Taste the Blood of Dracula (1970); Scars of Dracula (1970); Dracula AD 1972 (1972); The Satanic Rites of Dracula (1973); and The Legend of the 7 Golden Vampires (1974). Lee plays Dracula in all of them except “Brides” and “7 Golden Vampires” while Peter Cushing appears in five of them as a Van Helsing. The film runs 1 hour, 35 minutes, and was shot at Elstree Studios & nearby Scratchwood, just northwest of London. GRADE: B
Somehow, the sound of Dennis Waterman with a plummy accent doesn't quite work in this standard Hammer production. He is "Simon" who is keen on "Sarah" (Jenny Hanley) who is, in turn, rather keen on his Lothario of a brother "Paul" (Christopher Mathews). When the latter man's antics cause him to flee the anger of the burgomaster, he alights on a fire-damaged castle where he is soon, well... "Simon" and "Sarah" along with the local priest (Michael Gwynn) are soon on the trail but can they rescue him - or, indeed, save themselves from the evil that is "Dracula" (Christopher Lee)? Patrick Troughton is quite effective as the put-upon factotum "Klove" and Lee does just enough but the rest of the cast are really pretty lacklustre as the story follows a predictable pattern - complete with bat-on-a-string and plenty of ketchup and Ribena. It's watchable, but there's way too much dialogue and not enough action until the very last few moments - and even that is too heavily dependent on a thunderstorm to create any sense of impending menace.
A priest with a haunted past and a novice on the threshold of her final vows are sent by the Vatican to investigate the death of a young nun in Romania and confront a malevolent force in the form of a demonic nun.
After undergoing radical surgery for injuries from a motorcycle accident, a young woman develops a strange phallic growth on her body and a thirst for human blood—the only nourishment that will now sustain her.
An undertaker who hasn't had any 'customers' in a long time is forced to pay one year's back-rent. To get money he starts to kill people, which brings absurd results.
A wagon load of convicts on their way to prison is being escorted through the mountains by a cavalry troop. They are attacked by a bandit gang, and only a sergeant, his beautiful young daughter and an assortment of seven sadistic, murderous prisoners survive, and they are left without horses or a wagon. The sergeant must find a way to get his prisoners to their destination while protecting his daughter, watching out for the still pursuing bandits and trying to determine which one of the prisoners was the man who raped and murdered his wife.
In a 19th century village, a young aristocrat suffering from a terminal disease finds herself being drawn to the underground world of vampires and their strange rituals.
After getting kidnapped at one of his own shows, a selfish DJ must escape the glass coffin that he finds himself trapped in.
A vampire hunter in southern California discovers that his son has been murdered by a gang of the undead and thus goes on a quest for revenge.
An offbeat comedy with a quirky twist on the vampire tale set in modern day corporate America.
Elvira is travelling through the French countryside with her friend Genevieve, searching for the lost tomb of a medieval murderess and possible vampire, Countess Wandessa. They find a likely site in the castle of Waldemar Daninsky, who invites the women to stay as long as they like. As Waldemar shows Elvira the tomb that supposedly houses the countess, she accidentally causes the vampire to come back to life, hungrier than ever. Daninsky has a hidden secret of his own, but will it be enough to save the two girls from becoming Wandessa's next victims?
The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.
A lonely photographer's obsession with an enigmatic, beautiful classmate takes a dark turn.