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'Minari' is an emotionally beautiful film. For me personally, the only downfall are very small parts of its narrative. Some things are brought up but never really touched on again, which didn't bug me in the moment but after the film, I asked myself what happened with those threads. It's such a small issue, but that doesn't stop me from saying that the film is a breathtaking delight. Soon-ja sang it best: “Minari, minari... wonderful, wonderful.“ - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-minari-equal-parts-heartwarming-and-heartbreaking
“Minari” is an absolutely beautiful gem of a movie that is delightful on all levels. The highly personal film, written and directed by Lee Isaac Chung, tells the story of a struggling Korean-American family searching for a better life when they move to rural Arkansas from California. Jacob (Steven Yeun) dreams of starting his own farm and selling Korean vegetables to serve the growing immigrant population, while his wife Monica (Yeri Han) quietly internalizes her anxiety. Their two kids (Alan S. Kim, Noel Cho) adapt a bit more quickly, but things are turned upside down when their firecracker of a grandma (Yuh-jung Youn) arrives. Set in the 1980s, the film depicts a fresh look at the immigrant experience in America, capturing what it must be like to face unfamiliar surroundings while clinging to the promise of a happy future. Jacob has a desire and drive that’s enviable, even if he’s draining the family’s savings with his pie-in-the-sky dreams. It’s rare that almost all of the best performances of the year are concentrated in one movie, but here we are. The cast is pitch-perfect, from Will Patton‘s supporting role as a religious Korean War veteran to Han’s understated turn as a disappointed wife who is embarrassed to be living in a mobile home in the middle of nowhere. The performances are excellent all around, but Kim and Youn steal the film. All of the actors achieve something to be proud of here. I instantly felt a powerful connection with every character, each of them a person I would gladly root for until the end. I contend that if you aren’t all-in and crossing your fingers for this likeable family’s success, there’s something deeply rotten in your soul. The narrative explores the highest of the highs and the lowest of the lows with a charming, admirable authenticity and eye-opening insight. The story’s appeal is universal with a hopeful sentiment, even when tragedy strikes. “Minari” may not escape a few chestnut platitudes (like even when you come close to losing everything, a new day will dawn and things will be brighter because you still have each other), but this comforting underdog story about immigrants with a dream is wrapped in an absolutely beautiful film that’s delightful on all levels. By: Louisa Moore / SCREEN ZEALOTS
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
Two competing lawyers join forces to sue a prestigious law firm for AIDS discrimination. As their unlikely friendship develops their courage overcomes the prejudice and corruption of their powerful adversaries.
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.
A group of young adults in their twenties, who share an apartment in the city of Seattle, ponder on love and face all the challenges of adulthood.
Three young boys drunkenly rape a woman named Emiko, the wife of a man they've developed a friendship with. She dies of heart failure during the attack. Her chicken farmer husband, incapable of dealing with her death tends to her corpse as though it were still alive completely unable to accept her demise.
A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line, but is left traumatised from her experiences.
A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.
A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who crossed her path.
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's gofer. He's happy there, but a messenger arrives to bring him to Arizona for his uncle's wedding. It's a ruse to get Axel into the family business. In Arizona, Axel meets two odd women: vivacious, needy, and plagued by neuroses and familial discord. He gets romantically involved with one, while the other, rich but depressed, plays accordion tunes to a gaggle of pet turtles
Singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bass guitarist John Deacon take the music world by storm when they form the rock 'n' roll band Queen in 1970. Hit songs become instant classics. When Mercury's increasingly wild lifestyle starts to spiral out of control, Queen soon faces its greatest challenge yet – finding a way to keep the band together amid the success and excess.
Strung together by the Catholic Church, a confession booth, and the Rosary, All Saints is a voyeuristic and light-hearted character study and commentary on womanhood, religion, and culture.