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“Do you know what Dr. Johnson said? Guests, like the fish, start to stink on the third day.” “In fact, I think you'll find that I start to stink on the first day.” This exchange exemplifies the good and the bad about Barcelona; it’s full of acerbic Johnsonian sarcasm beautifully channeled by Chris Eigeman, but the third act feels more like the third day, with all that this implies. The film, about two young American cousins and their misadventures with the female fauna of the titular city, has another problem. The cousins, Fred and Ted, are skillfully and competently played by Eigeman and Taylor Nichols, respectively — Nichols's forced verbal tics only manage to make him seem like an ersatz Woody Allen (unusual for for writer/director Whit Stillman, who tends to evoke favorable comparisons to the legendary filmmaker), although he makes up for this with a scene described by Fred as “some weird religious ceremony based on Glenn Miller” — but the Barcelonans they get involved with are played by Australian, English, or American actresses; this is particularly jarring when it comes to the character played by Mira Sorvino, who is neither Spanish nor has the acting ability to pass for one. Applying the Italian neorealist approach, literally any randomly selected passerby on a Barcelona sidewalk would have done a better job; on the other hand, it’s possible that my complaint is irrelevant, especially considering that the females in the story are practically interchangeable. Even though he spends most of his time courting Marta (Sorvino), Fred ends up falling in love with Montserrat (Tushka Bergen); according to him, “I've seen her in all sorts of different situations and contexts” — situations and contexts that must have occurred in scenes written but not shot, or shot but ultimately cut (the script simply shrugs it off, mentioning towards the end that “We spend hours together on the phone, and she is so fascinating and charming”). Meanwhile, Ted ends up marrying Greta (Hellena Schmied), a late addition to the plot with whom Ted doesn't share much more quality time than Fred does with Montserrat. But perhaps this is precisely the point; as Ted says, “you see a beautiful girl and immediately you’re subject to all these emotions … you haven't even talked to the girl, and you already want to get married and spend the rest of your life with her”. He suffers from "a real 'romantic illusion' problem," and yearns, "instead of a fantasy built on the pretty slope of an eyebrow or the curve of an upper lip, to see the real person. Maybe even look into her eyes and see her soul." In that sense, the film is a true reflection of, as Roger Ebert put it in his review, "a vast yearning which can only be filled by a girl" that most of us experience before we reach the age of reason; sadly, Fred doesn’t seem to outgrow this juvenile yearning during the course of the film, and there is no indication that his relationship with Greta is less based on ciliary sloping and/or lip curvature than on the "real person."
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?
Nina is a 20 years old girl from Valladolid who lives with her divorced father, an autoritarian and conservative man. Trini is of the same age and has lost her mother. For both Valladolid and their families have nothing to offer and therefore they go on a risky voyage to the Costa del Sol at the south of Spain.
Zack Mayo is an aloof, taciturn man who aspires to be a navy pilot. Once he arrives at training camp for his 13-week officer's course, Mayo runs afoul of abrasive, no-nonsense drill Sergeant Emil Foley. Mayo is an excellent cadet, but a little cold around the heart, so Foley rides him mercilessly, sensing that the young man would be prime officer material if he weren't so self-involved. Zack's affair with a working girl is likewise compromised by his unwillingness to give of himself.
Based on the famous book by Jules Verne the movie follows Phileas Fogg on his journey around the world. Which has to be completed within 80 days, a very short period for those days.
Directed in 1980 and released in 2013. On the issue of addiction in Iran in the 1980s. Mohsen's father is going to pass away soon due to an illness, however, Mohsen himself has been missing for 6 months. A BSc medicine student, he has become a drug addict and lost himself in the slums. Setting out to help him out of his conditions, and deliver his mother's care to him, his father starts searching for him. The movie is embedded in the social conditions of the 70s AD Iran, has a 70s Iranian chivalric tincture, religious color-as was the climate of the Iranian society at the time- and is blended with historic state propaganda. For the audience of that time, this movie would have received a fair score, as it touches on religious notions. However, the issue it addresses is far more complicated and sophisticated at this age, and its propaganda outlook can no longer attract significant commercial or critical attention.
Genius artist Cesar Catilina seeks to leap the City of New Rome into a utopian, idealistic future, while his opposition, Mayor Franklyn Cicero, remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero, the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.
When cocky military lawyer Lt. Daniel Kaffee and his co-counsel, Lt. Cmdr. JoAnne Galloway, are assigned to a murder case, they uncover a hazing ritual that could implicate high-ranking officials such as shady Col. Nathan Jessep.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Sifis, a young boxer, is going to challenge the Greek champion Vlassis Hristou, despite the opposition of his cruel, conservative father. His little sister Maria, a virgin teenager, gets pregnant after a romance with Lefteris. Her father reacts violently, because Lefteris comes from a destroyed family: his mother is a poor charwoman, his sister, Roula, a young harlot and his brother, Foivos, an ex-convict.
Based on a true story, this film tells the story of Chaplain Andrew Jensen, the only U.S. navy chaplain ever court-martialed on charges of adultery.