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One of a multitude of short Westerns directed by D.W. Griffith in the early days of film has the distinction of being the screen debut of Western star Harry Carey in a minor role.

In this film one is shown the contrast of two fathers. One father refuses to believe his son guiltless, while the other, fully realizing the weakness of his son, struggles to save him from further disgrace. In this attempt he exonerates the innocent youth, but at the same time exposes the guilt of his own son.

No doubt the old antique dealer was prejudiced against his junior clerk. After frequent shortages, the clerk's visit to the gambling house was reported by the detective and he was discharged. In truth, he had gone to find the senior clerk, who owed him money which he needed for his mother, hovering close to the edge of life. By sharp detective work, the designs of the senior clerk were frustrated.

A story of that famous adventurer, Haroun al Rashid, the Caliph of Bagdad.

Esmeralda Foster, an attractive girl, is very much impressed with Duncan Miller, a crafty country swain, who makes love to Esmeralda because of her father's wealth.

The girl's lessons from the young station agent on the manipulation of the telegraph code served her in good stead. By it, hemmed in on all sides at the lonely farmhouse, she was able to save both herself and her father's money from desperate tramps, an experience which is grippingly illustrated in this Biograph melodrama.

In a small town in Virginia, Faith Corey, daughter of a socially prominent family, meets and falls in love with Jerry Malone, a prizefighter, though her straitlaced mother wants her to marry Siegfried, a spellbinding "missionary reformer." Though Grandma Corey promotes the romance with the prizefighter, Mike, the fighter's hardboiled, wisecracking manager, tries to keep them apart; following a quarrel, Faith reconciles herself to marrying Siegfried, but when he invites a group of "weak sisters" to a revival meeting, he is disgraced when one accuses him of her downfall. Finally, with Mike's advice, Jerry wins back Faith and they are united with the family's blessings.

A lost silent drama film directed by Raoul Walsh and starring Renée Adorée, Carlo Liten, Harrison Hunter, Beatrice Noyes, Florence Malone, and Jean Gauthier DeTrigny. It is based on the 1919 French novel Les Plus Fort by Georges Clemenceau.

Bank clerk John Hart is about to marry Mary Kelly, but she insists that before that happens he must grow a mustache. The idea of that shakes him up so much that he gets distracted at work, comes up short in his accounts and gets fired. Unable to find another job, he begins to work as an extra at a nearby film studio to earn money. One day the leading man of a picture John is working on gets into an argument with the director and storms off the set. Angered, the director sees John and, deciding that he'll show his arrogant star that he can make a movie idol out of just about anybody, picks John to replace him. As it turns out, John has a real talent for acting and before he knows it he becomes a star. Unfortunately, "stardom" isn't what John thought it would be.

Directed by Wallace Worsley.

Voices of the City is a 1921 American silent crime drama film starring Leatrice Joy and Lon Chaney that was directed by Wallace Worsley. It is considered to be a lost film.