The Builder of Bridges

Leila Hughes is the sole support of her aged grandmother. Tom Duane, a young contractor, has become acquainted with Leila and finds much to admire in her. Aggressive with his men, Tom becomes timid and embarrassed in the presence of a woman.

WAS IT Better For Her To Have Loved and Sinned Than Never to Have Sinned At All? STOP-CONSIDER The girl he led astray was another man's sister. Yet-He protected the honor of his own sister with his life. IT'S ALL IN THE POINT OF VIEW.

Vallery Grove is in love with Don Warren but her mother opposes the match because he is poor and has no social standing. Don decides to terminate his engagement to Vallery after attending a party where he meets a spoiled rich girl who is interested in him.

In a wealthy society family, the mother is forced to sit by and watch while her husband and son both compete for the affections of a pretty young temptress.

Everywoman is a lost 1919 American silent film allegory film directed by George Melford based on a 1911 play Everywoman by Walter Browne.

This part-talkie (17 minutes of dialogue in its 83-minute running time) tells the tale of Christina, the daughter of Dutch toymaker Niklaas. Much to her dad's dismay, Christina falls in love with sideshow huckster Jan. Likewise disapproving of the romance is Jan's jealous employer Mme. Bosman, who frames the young man on an embezzlement charge.

H. Ulysses Watts is a traveling Shakespearean actor whose career is on the decline, as his audiences are more interested in cinema and vaudeville. When the troupe is robbed by Stoner, Watts cares for an injured young trapeze artist.

"Waffles," the waitress at "Coffee Dan's" hash-house, is selected by Bert Gallagher and Clara Johnstone, a pair of crooks, to be represented as a missing heiress whose story they have read about in the papers. "Waffles" herself believes the story, as she was orphaned early and remembers little of her childhood, and by adroit coaching is able to convince the estate's none too bright lawyers of the validity of her claim. With this unlimited money, poor little "Waffles" nevertheless has only three desires: to buy the little restaurant for her old benefactor, Shorty Olson, to publish the music written by her lover, Carl Miller, a young, eccentric, absent-minded musical genius, and to adopt the baby that a Mrs. O'Shaughnessy is too poor to care for.

Love Never Dies was set in France, and convincingly so (which was not often the case in American-made films of this period). It is established in the first reel that hero Felix and heroine Cecile have been sweethearts since childhood. Later on, Fate forces Felix and Cecile to separate, but viewers could take heart in the positive sentiments expressed by the film's title.

Maud and Cecil have been in love since they were children in the pre-Civil War South, but Howard, Maud's domineering brother, disapproves of a marriage between them. Instead, he has chosen English nobleman Lord Lovelace as the ideal fiancé for Maud. On the night that the engagement is to be announced, however, she elopes with Cecil. The runaways are caught, though, after which, because of her loyalty to her brother, Maud sends Cecil away. When the Civil War begins, Howard, Lovelace and Cecil all volunteer, and are all soon reported killed in action. Heartbroken, Maud decides to become a nun, and takes her vows just moments before Cecil, whose death was mistakenly reported, returns from the battlefield and comes to the convent to ask her to marry him.

Spanish coquette Tula Moliana finds herself encumbered with two husbands, and to get a divorce from the first, Senator Wakefield, she engages Jim Blake, the fiancé of Helen, the senator's daughter, to be her correspondent. Jim agrees to help her but finds himself entangled in a web of deceit and has difficulty in making excuses to Helen for the numerous adventures in which he becomes involved, especially when a jealous rival pursuing Tula threatens his life. Matters are cleared up when Helen discovers he has been victimized, and Tula accepts her first husband. This film is lost.