Eden Hotel

The selfish Dr. André Luiz dies and awakes in the limbo called "Umbral". After a painful period in the gruesome swamp, he is rescued and brought in a white light to "Nosso Lar" (meaning "Our Home"). He finds a place of harmony, where people live in peace awaiting

Trapped in limbo during a near-death experience, Mara and a computer form an alliance to figure out the meaning of life. Together, they navigate through a dystopian world deciphering cryptic clues laid out before them. Mara embarks on a profound quest of self-discovery and redemption. Confronting her deepest fears by facing the trauma in her life, her journey becomes a poignant exploration of human vulnerability. "Psyche" explores the philosophical interplay between mental health and artificial intelligence.

In a state between life and death, K. has a conversation with an unknown figure, where he recalls experiences and relationships throughout his life.

Amidst a period of unprecedented world events, an eighteen-year-old girl’s life is placed on hold. Isolated in her bedroom, she falls under the spell of the mysterious vlogger Patricia Coma. As time carries on, the lines between her dreams, fears, hopes, and reality begin to blur into one another.

Tragedy sends a young woman on a voyage through the wilderness of death and time.

A group of strangers find themselves aboard an unmanned ship, surrounded by fog and uncertain of their destination. As they attempt to make sense of their situation, the group of passengers discover a commonality that changes their perception of the nature of their journey. The film was later remade, with some changes, as Between Two Worlds (1944).

A grad student kidnaps two homophobic high-school bullies to use as her subjects in an experiment performed at the bottom of an empty swimming pool.

The Valet (Manuel Rosón) enters a hotel room with Joseph Garcin (Morgan Sterne) in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano (Viveca Lindfors) and Estelle Rigault (Rita Gam), are then led in; afterwards, the Valet leaves and locks the door. Realising that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories. Adaptation of the play by Jean-Paul Sartre.

After his death, a young man stuck in purgatory attempts to cope with the afterlife.

The scene is a tawdry hotel room in Limbo, where several damned souls are gathered. At first, the group fails to comprehend where they are or why they're there. When the horrible truth dawns upon them, they carp and snipe at one another, blaming everyone but themselves for their dismal fate.

In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?