War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Acting is generally bad, and quickly devolves from taut revenge thriller to screwball comedy, but I was actually kind of interested in the characters that showed up after the first scene. Intriguing more in concept than execution, but even so. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
"Meg" (Nicole Dambro) is being courted by a couple of lads in a bar. She decides to take them back to her place, so into the back of her van they get. Next thing, they awake to find themselves tied up on the floor of a swimming pool with a small tube connecting them at the groin. Why? Well it seems that "Brad" (Peter Mayer-Klepchick) and his dimwit buddy "Dylan" (Cameron Duckett) have been engaging in some fairly horrible homophobic bullying at school. "Meg" has decided to exact some revenge for her persecuted brother "Orin" (Jesse Pudles). Now these guys claim that sexuality is voluntary, a choice: so she advises them that their only way to freedom is to prove their case and have their two erections meet in the tube that is connecting them. Now for the first twenty minutes or so, this is actually quite a fun and innovative story. It would have made for a perfect sort film. Sadly not, though. The initial impact of the plot is increasingly wasted as the brother shows up, then some passing opportunist thieves then, well the whole thing just runs out of steam; suffers from a surfeit of verbiage and a distinct lack of purpose. It's almost as if director Anderson Cowan didn't quite have the courage of his convictions to stick with the initial potent and entertaining theme through to some sort of conclusion. As it is, that theme is compromised all too quickly leaving us with a muddled and rather annoying cast that it was impossible to engage with. Pity - it could have been an interesting exposé on sexuality peppered with some mischief. Sadly, it doesn't choose that path...
Gay Londoners Marc and Fred plan for a weekend of mischief, baiting the Christian owner of a remote Christian B&B. Events take a deadly turn when another guest arrives, who they think might have something more sinister in mind.
A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.
In several unrelated stories, the consequences of putting one's foot down – or failing to do so – are explored.
In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?
Arnold is a gay man working as a drag queen in 1971 NYC. He meets a handsome bisexual man.
After saving a Black Panther from some racist cops, a black male prostitute goes on the run from "the man" with the help of the ghetto community and some disillusioned Hells Angels.
Manhattan drag queens Vida Boheme and Noxeema Jackson impress regional judges in competition, securing berths in the Nationals in Los Angeles. When the two meet pathetic drag novice Chi-Chi Rodriguez — one of the losers that evening — the charmed Vida and Noxeema agree to take the hopeless youngster under their joined wing. Soon the three set off on a madcap road trip across America and struggle to make it to Los Angeles in time.
Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...
Pennsylvania, 1993. After getting caught with another girl, teenager Cameron Post is sent to a conversion therapy center run by the strict Dr. Lydia Marsh and her brother, Reverend Rick, whose treatment consists in repenting for feeling “same sex attraction.” Cameron befriends fellow sinners Jane and Adam, thus creating a new family to deal with the surrounding intolerance.
Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.
David and his gay friends celebrate his 25th birthday with a nightly swim at the park. The good mood quickly changes after two straight couples walk by and laugh. But was the laughter directed at them, or at something else?