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INVINCIBLE - (Feb 20th)
When the tide runs low in the smugglers cove... Turnbotham Round has no crime, something that becomes common knowledge after a radio programme is broadcast from the village. Upon hearing this broadcast, the top brass at Scotland Yard send word that if there is no crime there, then why employ policemen to police the village? Realising that their good lives are about to come to an end, inept coppers Dudfoot (Will Hay), Brown (Graham Moffatt) and Harbottle (Moore Marriott) set about making some arrests. What they hadn't bargained for was the uncovering of a smuggling ring and the unleashing of the phantom headless horseman. Much like Will Hay's Good Morning, Boys (1937) followed a similar formula to that of one of his earlier pictures, Boys Will Be Boys (1935), so it be with Ask A Policeman in that it has close links with critics fave, Oh Mr. Porter! (1937). However, that in no way is a bad thing because Ask A Policeman is utter joy from start to finish. In fact I would go so far as to say that the writing is actually better here. With a writing team consisting of Marriott Edgar, Sidney Gilliat, Val Guest and J.O.C. Orton, it's no wonder that the gags come thick and fast and still hold up over 80 years later. Marcel Varnel once again directs Hay and his blunderingly magnificent sidekicks, Marriott and Moffatt, and each of them are on terrific form as they within a heartbeat lurch from incredulity to stupidity. They are helped by the story and its delightful supernatural set ups. These coppers have been having it easy for so long they have forgotten just what it takes to be a copper. More content with bending the rules for an easy life (note some nice satire in the writing), these guys are suddenly faced with the supernatural and actual real crime. Something they are delightfully unable to properly cope with. From trying to set up a roadside speeding arrest to an attempt at solving an ancient smugglers rhyme, Ask A Policeman, courtesy of an across the board team on fire, is to my mind one of the greatest British films of all time. So pay attention to the jokes and admire the visual comedy that goes with them, and then hopefully you too will appreciate just what genius Hay and his cohorts brought to British comedy between 1936 to 1940. 10/10
This is possibly my favourite outing for Will Hay, with this time a strong supporting cast to help him along with this daft adventure caper. He is "Sgt. Dudfoot" who along with "Albert" (Graham Moffatt) and "Harbottle" (Moore Marriot) have recently been on the radio from their crime-free village. They didn't quite think it through, though, as soon they realise that they might well have talked themselves out of a job. Solution? Well let's invent some crimes! That they do with, as you'd expect, comical results. Thing is, some real criminals are taking advantage of these hapless buffoons and smuggling barrels of booze from right under their noses. Can they get a grip on things, apprehend those varmints and save their posts? Moore Marriott 's engaging "Harbottle" could easily have been the model for Wilfred Brambles' later characterisation of "Steptoe" and together with his two cohorts and with some creative input from Marcel Varnel and Sidney Gilliat we end up with an enjoyable eighty minutes of typically British humour. It has traces of slapstick, but it is essentially the quickly-paced patter and the fun dynamic between the three that keeps this moving well and entertainingly. Sure, some of the jokes were probably corny even then, but if you enter into the spirit of it, then I think you will enjoy it.
Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.
After her fiancee admits to infidelity while on a business trip in France, a woman attempts to get her lover back and marry him by traveling to Paris despite her crippling fear of flying. On the way she unwittingly smuggles something of value that has a charming crook chasing her across France as she chases after her future husband.
The summer of '58, the year Sweden almost won the world championship in soccer over Brazil, Yngve Johansson accepts two children to live with him during the summer, as told through the eyes of a young boy. His name is Mårten, and the other child's name is Annika. She is a rough girl, with many problems. The three of them do not get along, and Yngve is a true dictator to the children's eyes. However, when the children discover that their new guardian has a crush on their teacher (Cecilia Nilsson), they do what they can to bring the two together. Soon enough, the three will discover that they have a lot more in common than they previously imagined, and together they can make their lives worth living again. This is a sweet story about life in Sweden in the mid 1900's. It is about family, love, hate, innocent friendship that we all can relate to, and much, much more...
When British Railways announce the closure of the Titfield to Mallingford branch line a group of local residents make a bid to run it themselves, backed by a monied member of the community who is attracted by the complete lack of licensing hours on trains. Unfortunately the local bus company starts to use methods that can hardly be seen as fair competition.
New Yorkers Paul and Meryl Morgan seem to have it all - except that their marriage is crumbling around them. But their romantic woes are small compared to the trouble they find themselves in after witnessing a murder. To protect them from an assassin, federal agents whisk away Paul and Meryl to a small town in Wyoming, where their marriage will crash and burn, or their passion will reignite.
In a small town on the countryside, every young boy is forced to have the same bowl-head haircut known as the "Yoshino-gari" hairstyle. Then one day, a drastic change occurs when a transfer student with bleached hair comes from Tokyo.
Mia returns from Stockholm to her parents' home in a small town in Dalecarlia (Dalarna) to celebrate her father's 70th birthday. Her elder sisters Eivor and Gunilla welcome her, but their different lifestyles prevent them from really communicating. The tension builds, and the party that should be a celebration turns out to be a turning point for the family and their friends
Policewoman Maria Moosandl and her lover Rocco Pacelli are expecting offspring. Unfortunately, the family conditions are anything but optimal: Maria's father is the police chief in the tranquil Landsberg and her future father-in-law Silvio the best connected owner of the pizzeria "Il Paradiso" and governor of a Sicilian Mafiaclans. In order to advance their own family business, the patron has already arranged a wedding for his only son - naturally with the daughter of the powerful clan chief from Naple
Klauy is a bumbling likay performer in the countryside. One day while watching TV he sees a beautiful model Fah having an interview with a tv host and he instantly falls in love with her. Klauy is obsessed with Fah's beauty and will dream of her non-stop no matter where he goes. Knowing that it is impossible not only to chase or even meet her since he is only an ordinary person he approaches Angel Koe for help. They eventually meet through Angel Koe's plan but will Fah likes Klauy in the end?
