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Yes, yes, she'll run. She's as good as she ever was. I'll stake my living on it! It's almost impossible for me to write a review of substance for The Titfield Thunderbolt, such is the love and unadulterated joy I have had with it for nigh on 40 years now. It was one of those magical moments in childhood when me, an obvious train set owner, caught this colourful {it was Ealing Studios first colour film} picture and took it all in like it was magic in a box. Of course back then I had no idea about the thematics of the picture, I just loved the train and the quirky characters that were making me laugh. But now here in a more modern age the film holds up better than most of its Ealing contemporaries, those themes back in the day are a reality. Villages are desperately clinging onto their identities, money mad conglomerates think nothing of heritage and the voice of the common man. And worst of all, the community spirit, the "tho shall not pass us" mentality has gone and in its place is fear and sadness. Aye, I wonder if T.E.B. Clarke had any idea when he sat down to write The Titfield Thunderbolt, that he was not just writing a quaint story about villagers rising up to save their own Branch Line Railway. But that it would also be a freeze frame of a golden age in Britain, a snap-shot of a transport industry that was still 10 years away from being torn apart. I love The Titfield Thunderbolt like a family member, I really do. I can watch it now and it takes me away from this big old world that has gotten itself in one big hurry and strife. I laugh, I even weep tears of joy and I even get angry at the villains in the piece. It's the power of cinema in its truest form when a little village, a small train and some plucky courage in the rolling countryside can instill such emotions in a human being. 10/10
Over Waldbrunn, the romantic little village surrounded by majestic mountains, dark storm clouds brew together. Mayor Lechner is in the end with his wisdom. The railway line is shut down, the spa guests stay out, and the mountain of debt is long since higher than the highest peak. The news of the imminent incorporation gives the much-plagued, who now also has to worry about office and dignity, the rest. But need makes inventive, and so easy can be such a fancy rascal as mayor Lechner not get down. As a savior in distress, Oberregierungsregierungsrat Dr. Schröder and submitted to Lechner the plans for a huge project to rehabilitate the bankrupt community. When he is also the re-commissioning of the railway line in view, Lechner attacks. Dr. Schröder's promise to lead Waldbrunn into a bright future lets the otherwise distrusting Lechner blindly fall into a cleverly sophisticated trap. Even Bärbel, the pretty daughter of the mayor, falls to the worldly Dr.. Schröder in.
Following a stint behind bars, a thief returns to where he buried his loot, only to find that his hiding spot is now a shrine to an unknown saint.
Charles Price may have grown up with his father in the family shoe business in Northampton, central England, but he never thought that he would take his father's place. Charles has a chance encounter with the flamboyant drag queen cabaret singer Lola and everything changes.
Albert Renaud, a young French Canadian dreams of becoming a movie star and take the train to Hollywood. His trip is filled with adventures.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.
Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.
A commuter suddenly realizes he's mistakenly boarded the express train and desperately tries to get off between stations.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair sleuth, romantic sparks fly.