Zelená ulice

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

A poetic documentary portrait about czechoslovakian painter.

A reporter for a fictional television station, originally from Ukraine, travels around Slovakia and asks people at memorable places questions about the nature of fascism and the soul of the Slovak nation. The documentary essay seeks to capture the shape of a society on the fringes of the political spectrum through the words spoken and the images of crowd scenes.

Two instants separated by 99 days conflict with each other.

Jakub Strach aka NobodyListen is a successful Czech DJ and music producer. A portrait of his life and work can be seen as a manifesto of the millennial club-going generation. After hundreds of shows and preparations for the upcoming, renowned Addict party, the DJ must deal with the consequences of inflicting a wound scarring his image. Footage from the club backstage mingles with scenes of everyday life in which NobodyListen ponders the dark sides of the club scene, like drugs and misogyny. During the shooting, the Covid pandemic strikes, revealing the insecurities of work in culture.

Through rhythmic re-composition of fragmented images, semi-surreal situations are explored in a documentary style of observation of a man's obsession with a powerful animal, the black horned bull, and the Spanish process of taxidermy through which he attempts to embody its beauty and strength, turning into a Minotaur. The subdued basement space in which the man meticulously studies the motionless flesh of the animal is preceded by a sunlit, empty arena in Spain, the stage in which the bull is presented in its full glory before facing man.

Sit down with Basketball Player and Coach, Jack Fairey, as he explains his experience with his beloved sport.

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

After the release of his debut film, documentarian Richard Chase journeys down a rabbit hole to uncover the lost second episode of his initial film's subject: Wise Guys.