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Extreme Makeover- Home Edition - (Jan 31st)
Reality of Wrestling - (Jan 31st)
Tribunal Justice - (Jan 31st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
High Tides - (Jan 31st)
The Eastern Gate - (Jan 31st)
The Chase - (Jan 31st)
TNA iMPACT - (Jan 31st)
Dexter- Original Sin - (Jan 31st)
Scamanda - (Jan 31st)
At 22, Alain is already a living legend in Marseille. Of all the young divers who jump from the Corniche, he is the only one to dive head and neck forward "to break the water". If the jump allows him to control his impulses, he knows that he will not be able to brave forever the fear of heights.
A poetic journey from the darkness of dawn into the brightness of the midday sun in the American South. Filmed over the course of six months on one bus route in Durham, North Carolina, this film is a celebration of light and a meditation on leaving.
Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Tells the story of a woodchuck which was taken to a state park to live and now entertains the park visitors by performing tricks. Shows the woodchuck's appearance, size, natural habitat, food, habits, and adjustment to captivity.
An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
