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**_Randolph Scott and Glenn Ford are very young in this decent old Western_** In 1863 Utah, a wanted gunman (Ford) meets a winsome woman that makes him want to go straight and settle down (Evelyn Keyes), but a murderous bank robber’s false accusations get him into trouble with the law. Scott plays the sheriff of the town, Claire Trevor a hotel madam and Edgar Buchanan a duplicitous widower. Guinn 'Big Boy' Williams is also on hand as a dubious expert with Nitroglycerin. "The Desperadoes" (1943) is worthwhile just to see Scott and, especially, Ford when they were younger. There’s also some spectacular Utah scenery in Technicolor and both Evelyn Keyes and Claire Trevor are pleasing to the eyes. Evelyn looks especially good in semi-tight brown leather pants. The tone is mostly serious with a few amusing bits, some of which work (the guys concentrating on poker during the saloon brawl) and some that don’t (Buchanan’s two-faced character is too revolting to be amusing). There’s also some lame writing, like Cheyenne Rogers forgetting to inform the guy he robs a horse from that there’s money in the saddlebags of his injured horse for him to replace it. Moreover, there are some glaring anachronisms: A train is shown in the opening with Utah Southern Railroad on the tender, yet the story takes place in 1863 and the USR wasn’t in service until 1871. Also, just prior to the horse stampede thru town someone says, "...they'll think they're riding into Custer's Last Stand," which didn’t take place until 1876. Assistant director Budd Boetticher met Randolph on the set and they would go on to team-up later for some very good Westerns, e.g. “The Tall T” (1957), “Decision at Sundown” (1957) and “Ride Lonesome” (1959). The movie runs 1 hour, 27 minutes, and was shot at Ray Corrigan Ranch, Simi Valley, SoCal, with wilderness scenes shot in Utah at Johnson Canyon, Kanab Canyon, the Gap, and Paria. GRADE: B-
Though Randolph Scott takes top billing, I think it's Glenn Ford who takes the plaudits here in this ultimately rather predicable western. It starts off quite promisingly when the town of Red valley has it's bank robbed and suffers three citizens slaughtered. The bank's owner, "Clanton" (Porter Hall), magnanimously decides to pay out 50 cents on the dollar to those who lost out. In his back room, though, we realise that's a bit of an empty gesture as he and cheery stagecoach driver "Uncle Willie" (Edgar Buchanan) are part of a wheeze to pocket quite a lot of loot. Thing is, the robbery didn't quite go to plan and the gang employed are just a bit too local for comfort when sheriff "Upton" (the so-so Scott) starts to investigate. He is caught off guard by "Rogers" (Ford) who pinches his horse and arrives in town at the stable run by "Allison" (Evelyn Keyes) - who just happens to be the daughter of the dodgy stagecoach captain. She recognises the horse as that of the lawman but luckily it turns out that when they are face to face, these two men are actually friends and swiftly turn their attentions to exposing the crooked "Clanton" before he manages to frame "Cheyenne" for the hold-up. Claire Trevor also features as the glamorous, bar-owing, "Countess" who also has some skin in the game with both men and luckily for this now rather muddling and over-populated narrative she has a pal who likes to play with nitro-glycerin! There are just too many characters vying for a space in the story here, and that story is just too thin to sustain it after about thirty minutes when the audience knows all there is to know and the path is laid towards a standard conclusion. There's some gunfighting now and again, but otherwise this isn't much to write home about, sorry.
Donald Barry, not yet Donald "Red" Barry, heads the cast of the Republic western Ghost Valley Raiders. A federal marshal, Barry is assigned to put an end to the activities of a stagecoach-robbery gang. That's why he spends most of the film pretending to be an outlaw himself. Stunt specialist Yakima Canutt plays a secondary villain, and also doubles for Barry in the dicier action scenes.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.
A gunfighter with a reputation as a fast gun almost kills an innocent child. He makes up his mind that he is not going to carry around loaded weapons anymore, but when he's asked to become sheriff of a lawless town, he compromises by carrying an unloaded pistol and relying on his reputation to keep order.
Framed for murder and left for dead, a local legend comes back to make the guilty pay as he seeks revenge on those who killed his family, in this traditional Western about one man who stood against injustice.
In this epic Western, Wade Hatton, a wagon master turned sheriff, tames a cow town at the end of a railroad line.
When Rocklin arrives in a western town he finds that the rancher who hired him as a foreman has been murdered. He is out to solve the murder and thwart the scheming to take the ranch from its rightful owner.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
Shortly after Moody Pierson saves Sheriff Tim's life, Moody is arrested for murder. Tim doesn't believe he did it and lets him get away. Kicked out as Sheriff, Tim goes after the real kiler and this leads him to the town controlled by Red Slavins.
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Harrah. Together with a fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.