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I like grumpy old cusses. Hope to live long enough to be one. Tall in the Saddle is directed by Edwin L. Marin and written by Michael Hogan, Paul Fix and Gordon Ray Young. It stars John Wayne, Ella Raines, Ward Bond, George 'Gabby' Hayes and Audrey Long. Music is by Roy Webb and cinematography by Robert De Grasse. Ranch hand Rocklin (Wayne) arrives in town to start his new job but finds his employer has been murdered and the locals are all a bit too shifty for comfort... Hee, the title is rather appropriate given Duke Wayne's stature, and yet it's a title that doesn't really do justice to the pic as a whole. The plot has some nifty complexities, where simmering passions blend with a murder mystery and crooked shenanigans. Marin directs at a clip, never once letting the narrative sink into tedium. The action is fruity, where in spite of some crude era back projection work, fist fights, gun play and chases keep things on the boil. Raines is socko sexy (how nice she's not token fodder either), which acts as a counter point with Long's homely beauty, while Wayne does his thang with iconic rewards. Gorgeous photography seals the deal here, both with the Calif locations frames and the monochrome shadings, for what is ultimately a hugely enjoyable 40s Oater. 7/10
This is an ideal Western. John Wayne is tall in the saddle. He travels East to wild West, and is not backing down from trouble. What really makes this film is Ella Raines as a super hot love interest. I may be spoiling that, because another woman enters first, quietly and very lady like, while Ella enters like a wildcat, but a beautiful wildcat that any man would want. A lot of emotion, mostly from Ella, with the Duke being sort of a straight man with mostly calmness, his character a bit shocked by all the emotion and danger, but never backing down.
Banker Mason is after the ranchers land so he can resell it to the railroad for a profit. He has the railroad agent killed and replaces him with his stooge who then offers even less than Mason. But Rocky eventually suspects Mason and when Bill Anderson informs him the agent is a fake, they head out after Mason
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
Gunning for revenge, outlaw Nat Love saddles up with his gang to take down enemy Rufus Buck, a ruthless crime boss who just got sprung from prison.
Double-crossed and left without water in the desert, Cable Hogue is saved when he finds a spring. It is in just the right spot for a much needed rest stop on the local stagecoach line, and Hogue uses this to his advantage. He builds a house and makes money off the stagecoach passengers. Hildy, a prostitute from the nearest town, moves in with him. Hogue has everything going his way until the advent of the automobile ends the era of the stagecoach.
Peter Miles stars as Tom Tiflin, the little boy at the heart of this John Steinbeck story set in Salinas Valley. With his incompatible parents - the city-loving Fred and country-happy Alice - constantly bickering, Tom looks to cowboy Billy Buck for companionship and paternal love.
Roy Rogers is a cowboy who joins the Border Patrol, only to have his buddy Tommy get killed at a local saloon. Determined to get revenge at any cost, Roy and Rusty cross the border in search of Arizona Jack, the man responsible for Tommy's death.
Released from a navy hospital following WW II, Lon Evans learns that he faces eventual blindness and returns to his Wyoming ranch. He sees a beautiful white stallion named Starlight and his cowhands Lem and Yancy say he is a killer and cannot be trained. Lon disproves this by training the stallion to act as his guide in preparation for his future blindness.
Director William Witney puts his distinctive stamp on the Don "Red" Barry western Outlaws of Pine Ridge by opening the picture with a body sailing through the plate-glass window of a frontier saloon. Barry stars as gun-slingin' Chips Barrett, who makes it his mission in life to prevent the inaccurately nicknamed Honest John Hollister (Noah Beery Sr.) from becoming territorial governor. Complicating things is the fact that Chips is in love with Honest John's daughter Ann.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."
The year is 1949. A young Texan named John Grady finds himself without a home after his mother sells the ranch where he has spent his entire life. Lured south of the border by the romance of cowboy life and the promise of a fresh start, Cole and his pal embark on an adventure that will test their resilience, define their maturity, and change their lives forever.