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I like grumpy old cusses. Hope to live long enough to be one. Tall in the Saddle is directed by Edwin L. Marin and written by Michael Hogan, Paul Fix and Gordon Ray Young. It stars John Wayne, Ella Raines, Ward Bond, George 'Gabby' Hayes and Audrey Long. Music is by Roy Webb and cinematography by Robert De Grasse. Ranch hand Rocklin (Wayne) arrives in town to start his new job but finds his employer has been murdered and the locals are all a bit too shifty for comfort... Hee, the title is rather appropriate given Duke Wayne's stature, and yet it's a title that doesn't really do justice to the pic as a whole. The plot has some nifty complexities, where simmering passions blend with a murder mystery and crooked shenanigans. Marin directs at a clip, never once letting the narrative sink into tedium. The action is fruity, where in spite of some crude era back projection work, fist fights, gun play and chases keep things on the boil. Raines is socko sexy (how nice she's not token fodder either), which acts as a counter point with Long's homely beauty, while Wayne does his thang with iconic rewards. Gorgeous photography seals the deal here, both with the Calif locations frames and the monochrome shadings, for what is ultimately a hugely enjoyable 40s Oater. 7/10
This is an ideal Western. John Wayne is tall in the saddle. He travels East to wild West, and is not backing down from trouble. What really makes this film is Ella Raines as a super hot love interest. I may be spoiling that, because another woman enters first, quietly and very lady like, while Ella enters like a wildcat, but a beautiful wildcat that any man would want. A lot of emotion, mostly from Ella, with the Duke being sort of a straight man with mostly calmness, his character a bit shocked by all the emotion and danger, but never backing down.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
Two brothers who hate themselves are going to spend Christmas with their mother. She tries to get them together.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
U.S Marshal Mike Donovan has dark memories of the death of his first love. He keeps peace between the Americans and the natives who had temporarily adopted and taken care of him. The evil actions of a white sorcerer lead him to confront the villain in the Sacred Mountains, and, through shamanic rituals conquer his fears and uncover a suppressed memory he would much rather deny.
Banker Mason is after the ranchers land so he can resell it to the railroad for a profit. He has the railroad agent killed and replaces him with his stooge who then offers even less than Mason. But Rocky eventually suspects Mason and when Bill Anderson informs him the agent is a fake, they head out after Mason
Roy returns home to fine a range feud between the cattlemen and the sheepmen. When his friend is killed he finds the rifle had a defective pin. He learns the rifle belongs to a ranch hand named Barker and that a third party has caused the feud. When he captures outlaws trying to blow up a dam, he claims Barker was the killer. But Barker has switched rifles and the outlaws now accuse Roy and Roy finds himself in trouble.
An itinerant farmer and his young son help a heart-of-gold saloon singer search for her estranged husband.
After killing a man in self defense over a poker game, Wild Bill Elliott turns outlaw in order to escape a lynch mob.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
Wrongfully arrested, Tim must escape and find the men who murdered his partner and stole the gold.
Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.