On va tout péter

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The remarkable story of how luxury car maker Jaguar made its first electric car. With exclusive, behind-the-scenes access to Jaguar's state-of-the-art engineering laboratories and top-secret design studios, Going Electric shows what it takes to make a sophisticated new car and provides an intriguing, inside view of one of the world's most iconic companies as it grapples with the future. It reveals a world where technical excellence meets exquisite craftsmanship – where testing is taken to the extremes and the car pushed to the limit. Going Electric was directed by award-winning filmmaker Ben Lawrie and narrated by Hollywood actor Mark Strong.

The workers talk about the pleasure of starting work in a shipyard, the pride of making the vessel, and the recognition of workers and the high spirit of their novel struggle. There was solidarity everywhere, even in each other's mind. But there is no more energy in Hanjin Shipyard. The workers have been laid-off and the strike shows no sign of stopping. A 34 year-old worker committed suicide as well. It's the fourth who has become a martyr for the cause. Why have the laborers who worked at Hanjin shipyard separated like this? They are starting to ask themselves why they decided to hate each other.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.

From the “integration model” to the “Islamist fanatic”, France fantasizes about these children of immigrants who grew up with it. Like every month “What I’m Meddling With!” presents portraits, the result of an in-depth investigation, to give a face to today's questions. The program, broadcast in the thematic evening of the Franco-German channel Arte, is made up of 2 ambivalent documentaries: "Les Lumières De La Zone" and "Les Soldats De Dieu" followed by debates.

A cinematic exploration of the world of automated vehicles — from their technical history to the personal narratives of those affected by them to the many unanswered questions about how this technology will affect modern society. This documentary features interviews with industry pioneers and scenes with cutting-edge “AVs” in action around the world.

A documentary about the continuing case of Samsung semiconductor plant. The film is a story about nameless people wearing white coat, hat and mask worked in a clean room exposing eyes only.

It's been more than 1,000 days since the workers of Cort/Cortek Guitar begun a struggle after the company abruptly closed down. Meanwhile, musicians performed for the workers so many people are aware of the company's injustice, but the company has yet to respond. The workers visit international instrument expositions all around the world, meet other guitar companies such as Fender and Ibanez who subcontract with Cort, and share the struggle with them. The workers also align with musicians in Japan and the USA. They achieve international solidarity through music.