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Interesting albeit very biased perspective on early electric car attempts. The film could have spent more time on describing the older electric car technology -- I was unaware that in the early 1900s there were, in fact, already cars that didn't run just on gasoline. I found it laughable when, near the end of the movie, the creators assess that essentially everyone, including car companies, oil companies, CARB, even consumers (!) are to blame for electric's downfall. I think you could convince me of car & oil companies, but it's a real stretch to say that a regulator that simply didn't adopt stricter guidelines 'killed' an industry, or that people did because they didn't buy this amazing product. Overall, OK, but would not recommend unless you're really into electric cars.
PUMP is a documentary that tells the story of America’s addiction to oil, from its corporate conspiracy beginnings to its current monopoly today, and explains clearly and simply how we can end it — and finally win choice at the pump. Today, oil is our only option for transportation-fuel at the pump. Our exclusive use of it has drained our wallets, increased air pollution and sent our sons and daughters to war in faraway lands. PUMP shows how, through the use of a variety of replacement fuels, we will be able to fill up our cars — cheaper, cleaner and American made — and in the process create more jobs for a stronger, healthier economy. Narrated by Jason Bateman and featuring notable experts such as John Hofmeister former President of Shell Oil, and Elon Musk, the CEO of Tesla Motors, PUMP will forever change the way you think about your car — and the fuel that powers it.
Tells the story of the rise and fall of Michael Alig, a kid from Middle America who aspired to take the place of Andy Warhol. Michael quickly rose to become the biggest party promoter in New York and King of the so-called Club Kids. But after spiraling into drug addiction, Michael brutally murdered his roommate Angel Melendez.
Larry Pierce is a family man and factory worker who lives in Middletown, Indiana with his wife Sandy. Outside of his regular nine-to-five job, Pierce has also been writing and recording raunchy country albums since 1994. After being forced to retire from his job after thirty-one years, the 53-year-old Pierce hooks up with the rock group -itis and performs his first concert in front of a live audience.
In 2007 the legendary American duo White Stripes toured Canada. Besides playing the usual venues they challenged themselves and played in buses, cafés and for Indian tribal elders. Music video director Emmett Malloy followed the band and managed to capture both the special tour, extraordinary concert versions of the band's minimalist, raw, blues-inspired rock songs and the special relationship between the extroverted Jack White and the introspective Meg White - a formerly married couple who for a long time claimed to be siblings. The film makes striking use of the band's concert colors: red, white and black.
An intimate portrait and saga of four film pioneers-Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.
Seven entirely static shots make up James Benning's quiet reflection on existence in the Ruhr Valley.
In this Mockumentary, a film crew follows and documents a group of Dungeons and Dragons players in the last 3 months of their five year adventure campaign.
This lively documentary explores the rise and fall of physical media from the origin of film all the way through the video store era into digital media, focusing on B-movie and cult films. With icons like Joe Bob Briggs (MonsterVision), Lloyd Kaufman (Toxic Avenger), Greg Sestero (The Room), Debbie Rochon (Return to Nuke 'Em High), Deborah Reed (Troll 2), Mark Frazer (Samurai Cop), James Nguyen (Birdemic) and many others.
In this documentary, filmmakers Daniel B. Gold and Judith Helfand (Blue Vinyl) follow a troupe of self-proclaimed global warming "warriors" on a mission to get the world to care about rising temperatures and melting polar ice caps. Taking a topic that's inherently serious and applying their signature blend of humor and emotional heft, Gold and Helfand advance the environmental dialogue in a surprisingly entertaining way.
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
