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‘And Then We Danced’ is such a special film, crafted with love and necessity, honest in its intentions and pure in heart. I found myself totally swept up in it and, by the end, my heart burst with love for it. This will easily go down as an LBGTIQ+ classic; how extraordinary is it for Georgia to have such a film as part of its cinematic legacy, not just for its craft but for what it represents. ‘And Then We Danced’ is the past and the present at odds, with the future ultimately at stake, rendered in flesh and bone by the powerhouse debut performance of Levan Gelbakhiani, easily one of the best of the year. Levan Akin has made a remarkable film, a passionate dance for love, for country, for tradition, for art and for survival. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-and-then-we-danced-a-passionate-and-remarkable-classic-in-the-making
Drama queer in Georgia, country where dance is Nation. A fairly classic gay plot on movies, but poetry and dance. Sensitive.
This is a superb film that depicts an excerpt in the life of a young man from Tbilisi - "Merab" (Levan Gelbakhiani) who balances his work in his family restaurant with his training to be a classical dancer at a very tough school that emphasises the masculinity and traditions of ancient Georgian dance. His life is somewhat turned upside down by the antics of his wayward brother and by the appearance of "Irakli" (Bachi Valishvili) at the dance school - a man with whom he starts to explore more of his own personal identity in a culture that takes an exceptionally dim view of homosexuality. Gelbakhiani is super here; he genuinely can dance - and the emotive themes that conveys are simple and special. The use of the traditional musical accompaniment - with frequently just a drum (and a wee bit of Abba) - all adds to this gently authentic slice of the life of this aspiring and inspirational young man on his way, we hope, to better things. The last five minutes are a wonderful demonstration of his skill/perserverance and determination.
"Georgian dance is about masculinity. It used to be softer, but we changed it 50 years ago." This award-winning film demonstrates that the struggle for identity, for becoming truly who we are, is worldwide and culture independent. It's a beautifully made film, with a soft, dark tone. I'm a bit of a sucker for a dance film, and I give this a 90/100 - 40 for the story, 40 for the acting and 10 points extra for the incredible, sarcastic, final dance performance. It really just blew me away and I can't stop thinking about it.
Vincent is an all-too-human man who dares to defy a system obsessed with genetic perfection. He is an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
Follows the investigation into the assassination of President John F. Kennedy led by New Orleans district attorney Jim Garrison.
In 1962 Hong Kong, two neighbors form a strong bond after both suspect extramarital activities of their spouses.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
A musical romantic tragedy about a famous composer who moves back to his small hometown after having had heart troubles. His search for a simple everyday life leads him into teaching the local church choir, which is not easily accepted by the town yet the choir builds a great love for their teacher.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.