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Great film, probably the most I've enjoyed a Bollywood film so far. 'The Tashkent Files' isn't a typical Hindi film, at least compared to the ones I've watched thus far. It takes its time with the story and properly sifts through it, without any songs shoehorned in. I thoroughly felt entertained by it, despite a potentially damaging 144 minute run time. There are some very good performances from the cast. Shweta Basu Prasad is no doubt the star, she puts a lot of emotion into the role of Raagini. Mithun Chakraborty is extremely likeable as Shyam, he keeps the film moving when the focus comes away from Prasad. Naseeruddin Shah is the most noteworthy of the rest, who are all pleasant to watch. I had no knowledge of Lal Bahadur Shastri before this, so it was very interesting to learn bits and pieces about this period of India's history - even if it features disputed elements and the usual creative license that films use. I think they tell it very well, with/without the aforementioned. I watched this on the UK's Zee Cinema channel, who broadcasted a version with a crap tonne of censorship over names, countries, organisations etc. It actually turned into an amusing little game to try and guess what was behind the blur! In seriousness though, this is most definitely worth a watch.
In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.
Dr. Feinstone has everything, a beautiful wife and a successful career in dentistry; but when he discovers his wife's affair, he realizes that behind every clean, white surface lies the stench of decay.
Samar wants to be successful in life but his parents force him to get married. His wife is shy and reserved and Samar does not like this. The other members in the family often ill-treat her.
Loosely based on the true story of the killing of Kitty Genovese: A young woman's murder is witnessed by fifteen of her neighbors who do nothing to help and refuse to cooperate with the police.
A single pregnant woman living without her husband or any man, alone, in a society of people where everyone questions her character and mysterious lifestyle. Reluctantly, Divyendu Sharma finds himself involved in her life. His aunt, played by Dolly Ahluwalia, is a woman who lives in Badnaam lane (name of the residential complex in Delhi) and keeps track of the society she lives in and keeps her nephew informed about the whereabouts of its residents, particularly the Bengali surrogate woman, Patralekhaa.
From the 1960s to the 1980s, evangelist Jim Baker and his ambitious wife, Tammy Faye, rose from humble beginnings to build an empire based on big-time evangelical Christianity-only for the couple to fall from grace because of some all-too-human sins.
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.
The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.
Huo Yuan Jia became the most famous martial arts fighter in all of China at the turn of the 20th Century. Huo faced personal tragedy but ultimately fought his way out of darkness, defining the true spirit of martial arts and also inspiring his nation. The son of a great fighter who didn't wish for his child to follow in his footsteps, Huo resolves to teach himself how to fight - and win.
After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.