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Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/remembering-is-a-lonely-way-tonbsplive-little-fish-review Slated to premiere at the 2020 Tribeca Film Festival and ultimately postponed due to Covid-19, _Little Fish_ is the victim of terrible timing. The rights were purchased in late 2020, but Little Fish did not get released until April 2021, a full year into the pandemic. It is not the victim of timing simply due to the delay, but also because _Little Fish_ is about a pandemic. It’s difficult for audiences to muster the desire to see this film while the pandemic continues to rage with no end in sight.
“Little Fish” is a heartbreaking, emotionally draining, end of days love story. The World is in the midst of a pandemic, but this neuroinflammatory affliction takes something more from people than just their lives, it destroys memory. Much like Alzheimer’s disease, if NIA is contracted memories are erased, leaving the ones you love unaware of who you are or where they live. “ Little Fish” Follows newlywed’s Jude ( Jack O’Connell ) and Emma ( Olivia Cooke ) along with their best friends Ben ( Raul Castillo ) and Samantha ( Soko ) as they are given devastating news. The microcosmic focus on the two couples is extremely effective. Well aware of World events unfolding around them, Plane crashes, car crashes, people going missing “Little Fish” just centres on the two couples as they battle to save their relationships as the pandemic takes its toll on both couples. As the narrative in “Little Fish” jumps timelines showing before and after NIA the deterioration in memory, particularly Jude, becomes emotionally devastating. Can someone who was so in love not remember anything of their partner or can their partner continue loving someone who is a shadow of their former self? A beautiful , gut punch of a movie.
5 residents meet regularly on the roof of their house to escape the monotony of the lockdown.
Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.
At a gas station in the middle of nowhere, a young man arrives to meet his father he hasn't seen for 30 years. On the same day, a van with four prostitutes breaks down at the very same gas station, on the way to Switzerland. The three days they spend together in the station change their lives forever.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.
Ezhu Sundara Rathrikal narrates the sequence of events that follow the protagonist's bachelor party.
An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.
Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser.
The man behind the legend and a knowing look at the 1950's Hollywood are revealed in this dynamic bioepic of the meteoric star whose troubled life echoed his gut-grabbing performances in East of Eden, Rebel Without A Cause and Giant.
Hard times come for the Carraclough family and they are forced to sell their dog, Lassie, to the rich Duke of Rudling. Lassie, however, is unwilling to remain apart from young Carraclough son Joe and sets out on a long and dangerous journey to rejoin him.