Les Derniers Jours de l'URSS

Laika, a stray dog, was the first living being to be sent into space and thus to a certain death. A legend says that she returned to Earth as a ghost and still roams the streets of Moscow alongside her free-drifting descendants. While shooting this film, the directors little by little realised that they knew the street dogs only as part of our human world; they have never looked at humans as a part of the dogs’ world.

Vladimir Ilyich Ulyanov, better known as Lenin, is remembered as the instigator of the October Revolution of 1917 and, therefore, as one of the men who changed the shape of the world at that time and forever, but perhaps the actual events happened in a way different from that narrated in the history books…

Newly elected President Nelson Mandela knows his nation remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa's rugby union team as they make their historic run to the 1995 Rugby World Cup Championship match.

As a teenager in the '90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

Since Russia was brought to its knees in the 1990s by crippling debt and the grip of the oligarchs following the collapse of the Soviet Union, Vladimir Putin has made it his mission to return superpower status to Russia. While not partisan to Putin's wrongs, this insightful doc examines the logic and motivations of Putin's vilified regime, and why he is so loved in his homeland.

In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.

The life of Marie and Peter seems perfect, but their greatest wish remains unfulfilled: a family of their own. After several painfully failed attempts to have a child by natural means, Marie and Peter decide to try adoption in Russia. Carried by their longing and after many months of preparation and waiting, they set off to get to know their future daughter Nina in a children's home thousands of kilometers away from Germany. They still have no idea that they are only at the beginning of a tour de force against the Russian authorities – and they are facing the biggest challenge for their relationship, because while Marie and Peter are fighting for their future child, the question is: are we still pursuing the same goal? Each for himself – and especially as a couple?

Napoleon's tumultuous relations with Russia including his disastrous 1812 invasion serve as the backdrop for the tangled personal lives of two aristocratic families.

Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.

Embracing a temporary visual impairment, a filmmaker immerses in her family’s 1990s home movies, composing a narrative that reimagines her father’s vision. They reconnect in the present, amid vulnerability, awkwardness and love: the story of a gardener and a one-eyed woman.