Pussy Versus Putin

As Russia faces growing international isolation, loyalists within the 30 million-strong Russian diaspora are dedicated to defending, supporting and promoting Putin overseas. Vladimir Putin has made it clear that he wants Russia to reclaim its former glory: across the globe, Russians echo his sentiment, shutting down critics of the Kremlin. From jeering newspaper articles, to counter-protestors staring down protestors who condemn the jailing of Russian opposition leader Alexei Navalny, Putin's international supporters are a force to be reckoned with.

Documentary about the Dutch punkband 'De Klojos'. and it sucks bigtime

This documentary will provide the first authoritative account of who Vladimir Putin actually is. What drives him, what does he fear, who does he love and hate?

Documentary on the 25 years of the extinct Portuguese Punk Rock band Censurados.

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

The band OK Go gives viewers a look at the behind-the-scenes work - and 21 flights - that went into filming their famous zero-gravity music video.

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).

Bas Jan Ader's first fall film shows him seated on a chair, tumbling from the roof of his two-storey house in the Inland Empire.

Bas Jan Ader rides his bike into a canal in Amsterdam.

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.