Arquivos da Morte - Guerra Civil

Short film made by Elio Belletti.

The film documents the night life scenes of both Hong Kong and Macau, from nightclubs, sauna baths to young ladies making category III VCDs.

Mondo Topless is a 1966 pseudo documentary directed by Russ Meyer, featuring Babette Bardot and Lorna Maitland among others.

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

Cult director Sergio Martino, during the most glorious mondo years, delivered Naked and Violent, a documentary which unveils the brutality of the USA. Hidden behind a mask of perfection and justice, Naked and Violent traces the problems of American society in the 70s: from racial persecutions to the depraved sexual habits of the middle class, from the drug market to illegal gambling.

Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.

Mondo documentary.

A shockumentary mixtape consisting of four videos taken off the internet. Includes a real grave robbing tutorial, an actual dark look in the inside of a mortuary, a man who delivers "just desserts" to his family and a hunting video for innocent small creatures.

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

A new age Mondo film that explores the realm of urban decay and various oddities of the modern world, ranging from underground club scenes to sex change operations.