Lundi CDI

Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.

Marcos confesses to Esteban that his relationship with his girlfriend doesn't excite him anymore. That night both will discover the limits of their friendship.

Yonatan abandons the army in an attempt to reunite with his ex-boyfriend. After it turns into a failure, he finds himself alone in Tel Aviv, without a place to sleep. Broken and confused, he goes on a wild night's journey looking for consolation.

The farmhouse of a rural family is declared unfit for habitation. While part of the family fights to save the space their ancestors built, the younger ones imagine where they could go.

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.

An eight-year-old girl tries to build a relationship with her absent father through a class-assigned family tree.

No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.

A young female vampire is caught by a clandestine government organization tasked with eliminating vampires and is made an offer she can't refuse: join them and help hunt down her own kind or be eliminated.

Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.