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"Alithea" (Tilda Swinton) is a solitary scholar who travels to Istanbul to address a conference on the relative merits of myth v science. At the seminar, she starts to hallucinate and the seed is sown that perhaps the mystical is not so far-fetched as we might think! A visit to the Grand Bazaar sees her acquire a small blue bottle that, when attacked rather unceremoniously with an electric toothbrush, spills it's contents into her hotel room. A giant, hairy-legged Djinn (Idris Elba). In keeping with tradition, he offers her three wishes - but she is sceptical. Easy come, easy goes thinks she - and as the couple chat, she discovers just how he became incarcerated in this, his third, bottle. His are tales of love, lust, greed, power and sadness and he depicts them to her of his life of some thousands of years. He also declares just why it is so important that she actually makes her wishes; for without those he can never attain his freedom. It's good fun this film. An anthology of scenarios that entertain and amuse with a worldly and generous effort from the sagely Swinton who gradually falls in love with her now normal-sized companion. The dynamic between the two stars is engaging and effective, the latter delivering a charming contribution to a simple story of the problems of a series of unrequited loves over the centuries that will probably never find a straightforward solution! It's a quirky film, that moves along quickly and I really quite enjoyed it.
MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "Three Thousand Years of Longing is one of the most ambitious films of the year. Relying on the genuinely charming, mesmerizing performances of Idris Elba and Tilda Swinton, George Miller approaches a famous cautionary tale through a distinctive form of storytelling, focusing on flashbacks narrated by the male protagonist. The multiple stories of the past aren't always fascinating, partially due to the chosen narrative method, which becomes repetitive despite enriching some of the core themes. The immersive, atmospheric visuals elevate the overall piece with significant impact, making this a cinematic experience to leave any viewer contemplating life, desire, loneliness, and happiness." Rating: B+
I did not have many expectations for _Three Thousand Years of Longing_, but after leaving the theater it left me longing for more. I do not think any individual part of this film was inherently bad. The performances by Idris Elba and Tilda Swinton were captivating and their on-screen chemistry was amazing. The flash backs to the characters' lives were very fascinating. I really enjoyed exploring the lives of ancient civilizations in the eyes of George Miller. The overarching plot was decent, nothing spectacular. But the collection of all these different elements together just felt like a jumbled mess. The movie never gets in a groove and always feels like it is stumbling its way to the finish line. I felt the opening sequence was incredibly rushed and the audience does not really get to form a connection with Alithea before she unleashes the Djinn, and from there on the audience is whipped back and forth from flashback to present day and it feels incredibly disjointed. The jumbled up second act, deflates any type of momentum going into the third making it fall flat on its head. All this compiled together made a somewhat emotional and touching ending feel hollow and lackluster. Overall, as a collection of short stories this movie was a good time, but really does not belong together in a jumbled-up mess of a plot. **Score:** _53%_ | **Verdict:** _Average_
The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.
An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.
Returning for his fifth year of study at Hogwarts, Harry is stunned to find that his warnings about the return of Lord Voldemort have been ignored. Left with no choice, Harry takes matters into his own hands, training a small group of students to defend themselves against the dark arts.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting "ghostbusters" who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.
During their travel from Chicago to New York, Harry and Sally debate whether or not sex ruins a friendship between a man and a woman. Eleven years later, and they're still no closer to finding the answer.
Kate and Matt discover that a part of their house can grant wishes. In the wake of two miscarriages, what they want most is a child.
Sabrina Fairchild, a chauffeur's daughter, grew up at the Long Island estate of the wealthy Larrabee family enchanted with their sparkling world of privilege and wealth, but she's especially enamored of younger son David, a charming playboy. After the once plain Sabrina returns from a sojourn in Paris transformed into a glamorous young woman, she at long last catches David's eye. In a calculated effort to manipulate David away from her and into a more financially advantageous marriage, formidable older brother Linus devises a plan to keep them apart.
As the second work of young director Ran Yinxiao, "May the Rivers and Seas Flow Upward" is set in Chongqing and tells a different kind of family story between three people who are not related by blood. The film has a time span of nearly a century and records the life trajectories of two generations and two families.
Traveling through an unnamed European country on the brink of war, sickly, intellectual Ester, her sister Anna and Anna's young son, Johan, check into a near-empty hotel. A basic inability to communicate among the three seems only to worsen during their stay. Anna provokes her sister by enjoying a dalliance with a local man, while the boy, left to himself, has a series of enigmatic encounters that heighten the growing air of isolation.
When Max fools a gang of local toughs, he finds himself in big trouble. Fleeing from the thugs, Max runs into an old warehouse and bumps into a boom box. By doing that, he manages to release Kazaam, a genie who has been held captive for thousands of years.