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_**Fun boarding school mystery/horror with a dash of comedy**_ A girl decides to go to a prep school on a scholarship (Virginia Madsen), which displeases her cool beau (James Wilder). He warns her with rumors of a diabolical covenant the faculty has, but she dismisses it until strange things help her to see otherwise. Sherilyn Fenn plays a student and Richard Cox a sympathetic teacher. “Zombie High” (1987) is a mixture of two future movies: “Disturbing Behavior” (1998) and a little “Dead Poets Society” (1989) albeit with a wink of humor & camp. There’s also a bit o’ “Invasion of the Body Snatchers” (1956/1978). The title is somewhat misleading since you won’t see a school full of literal zombies, yet it’s applicable in another way. It’s nice to see Virginia when she was so young (25 during shooting) and Fenn doesn’t hurt. The film runs 1 hour, 33 minutes, and was shot at School of Cinema-Television, USC, Los Angeles, California. GRADE: B-
Virginia Madsen plays high school student Andrea, who is awarded a scholarship to a prestigious boarding school originally attended exclusively by boys. Andrea kisses boyfriend Barry (James Wilder) goodbye, and she moves in with wild roommate Suzi (Sherilyn Fenn). Andrea begins seeing a young debonair biology teacher (this is so sci-fi), and he makes a clumsy pass at her. Barry finds out and gets upset...the film takes its time setting up its premise. Eventually, different student friends of Andrea's wind up, well, different. The senator's rebellious son, who wanted to quit the school, suddenly becomes the star pupil. All the boys start dressing alike and reciting facts from books, without showing any emotion or feelings. Andrea finds out that cute bio teach Philo (Richard Cox) is really into brains and discovers his diabolical plan. Despite the sexy dream team of Madsen and Fenn, who have been better in much more, here they are given little to do. Madsen was twenty-four when this was made, and does not pass for a high schooler. The zombies themselves are not much too look at- the students appear a little pasty, and nothing more. "Zombie High" is a misnomer, but I do not think "Brainwashed High" has the same effect. One gaffe has "zombie" students dancing very slowly at a school dance, but still able to sprint across the quad after Barry and Andrea. Lumbering undead like a Romero film, or runners straight out of "Chariots of Fire"? The film makes no mystery of what is happening behind closed doors in the infirmary, and that is unfortunate. Letting the audience in on the secrets too soon results in a complete lack of suspense. There are no scary scenes. The great production values, great sets, and lots of creepy blue light are all negated because we know exactly what will happen every time a scene begins. What is left is a very padded ninety-one minute film filled with awful pop music. The end credits anthem is some drivel called "Kiss My Butt." If anything, the viewer may wish that on the people responsible for "Zombie High."
At seventeen, girls are all about looking good, dressing right and making out with the cutest boys. Or they're like Luka, who's an ace in boxing and couldn't care less about her looks or her appeal to boys. When she breaks a schoolmate's nose, her parents send her off to boarding school to acquire some ladylike manners. There she's mistaken for Frankie, a boy who hasn't shown up, and takes on his identity. With her boxing skills, she instantly wins over her three roommates Chico, Toby and Jo, and strikes up a particularly close friendship with Chico. Her uncompromising honesty and loyalty to her new friends, however, soon get her into trouble with the headmistress and her nephew, the school bully.
Up against a deadline, a narcissistic screenwriter forces two of his worst critics to delete their reviews of his work at gunpoint.
A research scientist explores the boundaries and frontiers of consciousness. Using sensory deprivation and hallucinogenic mixtures from native American shamans, he explores these altered states of consciousness and finds that memory, time, and perhaps reality itself are states of mind.
In this modern take on Edmond Rostand's classic play "Cyrano de Bergerac," C. D. Bales is the witty, intelligent, and brave fire chief of a small Pacific Northwest town who, due to the size of his enormous nose, declines to pursue the girl of his dreams, lovely Roxanne Kowalski. Instead, when his shy underling Chris McConnell becomes smitten with Roxanne, C.D. feeds the handsome young man the words of love to win her heart.
A boy who was once a perpetual outcast finds friends in a new boarding school, united with his new peers gets involved in a heated rivalry with a group of students from a neighboring school.
Professor Lawrence Wetherhold might be imperiously brilliant, monumentally self-possessed and an intellectual giant - but when it comes to solving the conundrums of love and family, he's as downright flummoxed as the next guy.
The third form of a boarding school and the students of a neighboring school do not get along. Each side dreams up the craziest pranks to defeat the other. And when one day the high school students go as far as stealing the Gymnasium students’ essays and even burning them, daily school life really gets out of hand.
During WWII, in the days leading up to Christmas, a woman arrives at an Italian Catholic boarding school for orphaned girls with a large cake and a plea for them to pray for her boyfriend, who is having an affair.
Obsessive scientist Nathan and his lover, the naturalist Lila, discover Puff: a man born and raised in the wild. As Nathan trains the wild man in the civilized ways of the world, Lila fights to preserve the man’s natural state. In the power struggle that ensues, an unusual love triangle emerges.
Industrialist François Delambre is called late at night by his sister-in-law, Helene Delambre, who tells him that she has just killed her husband, André. Reluctant at first, she eventually explains to the police that André invented a matter transportation apparatus and, while experimenting on himself, a fly entered the chamber during the matter transference.