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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Aneesh Chaganty's Searching was enough to add its debutant director-screenwriter to my list of "filmmakers to follow closely". Run solidifies Chaganty's place in Hollywood as one of the most technically impressive directors working today. His undeniable talent allows him to effortlessly generate incredible suspense throughout the movie's entire runtime, and his second feature-film is no exception. Possessing the type of premise I enjoy the most in thrillers, Chaganty and Sev Ohanian's screenplay is packed with excruciatingly long takes, filled with extremely tense dialogues, shocking developments, and a brutal amount of pain. All are enormously elevated by one of the most physically-demanding, emotionally powerful performances I've seen in the last few years: Kiera Allen, who uses a wheelchair for mobility in real-life, turns her acting debut into a genuine, realistic display of the challenging obstacles people with her condition have to overcome daily. Sarah Paulson continues her trend of playing truly evil characters, and I advise her to keep following this dark path of phenomenal interpretations. Her interactions with Kiera are remarkably intense. Story-wise, even though the constant revelations are narratively shocking, most of the script's developments are somewhat predictable. However, the "movie logic" problems stretch believability to a point beyond my limit, ultimately becoming one of those films people will either deeply enjoy or really hate depending on how nitpicky they choose to be. I'm as moderate as I can be, and the truth is, I didn't really think about these logical issues during the actual viewing. Having in mind Run's brilliant technical attributes (notably Nick Johnson and Will Merrick's editing, and Torin Borrowdale's score), its two impressive lead performances, and its endless suspenseful atmosphere, I can't help but recommend it to every fan of the genre. Rating: B+
I watched a lot of movies and it had been a long time (over the pandemic year/s) since I have seen such a gripping thriller involving a family. In Run, a mother and a daughter's relationship starts to strain when the latter suspects her mother is doing ill on her. As you continue to guess what it might be, Run takes you by surprise. It delivers the goods and it keeps you hooked till the last second. Go, watch it already!
Longfellow Deeds lives in a small town, leading a small town kind of life. When a relative dies and leaves Deeds a fortune, Longfellow moves to the big city where he becomes an instant target for everyone. Deeds outwits them all until Babe Bennett comes along. When small-town boy meets big-city girl anything can, and does, happen.
Just before Christmas, department store clerk Steve Mason meets big spending customer Connie Ennis, who's actually a comparison shopper sent by another store. Steve lets her go, which gets him fired. They spend the afternoon together, which doesn't sit well with Connie's steady suitor, Carl, when he finds out, but delights her young son Timmy, who quickly takes to Steve.
A young woman searching for her missing artist father finds herself in the strange seaside town of Point Dume, which seems to be under the influence of a mysterious undead cult.
Jessica, the daughter of an impoverished apple farmer, still believes in Santa Claus. So when she comes across a reindeer with an injured leg, it makes perfect sense to her to assume that it is Prancer, who had fallen from a Christmas display in town. She hides the reindeer in her barn and feeds it cookies, until she can return it to Santa. Her father finds the reindeer an decides to sell it to the butcher, not for venison chops, but as an advertising display.
A group of high school students try to capture evidence of an urban legend on film but soon realize that they're the ones being watched.
A 15-year-old Somalian boy meets a 40-year-old Iranian man in a refugee camp in Skåne, in the south of Sweden. With the threat of deportation hanging over them, they decide to take their faiths in their own hands and together they go on a journey in the Swedish summer.
The executive producers of High School Musical keep the good times rolling with this upbeat musical comedy set in the one place every American teenager's home away from home - the local shopping mall. Ally (Nina Dobrev) is an optimistic adolescent singer/songwriter whose hard working mother owns the mall music shop frequented by every teen in town. When Ally shares her music with Joey (Rob Mayes), a janitor in the mall who harbors rock star ambitions, she is thrilled to find someone who can truly relate to her songs as well as her heart. Trouble looms on the horizon, however, in the form of the mall owner's spoiled rotten daughter Madison (Autumn Reeser). Madison is the kind of girl who's used to getting whatever she wants, and what she wants now could prove disastrous for both Ally's ambitions, and her mother's popular music store.
While out to avoid spending time with her narcissistic and promiscuous mother, sixteen-year-old Jo has a brief affair that leaves her pregnant and abandoned. When her mother remarries, Jo's only support becomes her friend Geoffrey, a homosexual.
Louise, an unfulfilled divorced woman with regrets, gets the chance to relive her past when she meets a young man who bears an uncanny resemblance, in name and appearance, to her high school sweetheart who died many years before.
The plot of Children of the Corn: Runaway follows a young pregnant Ruth who escapes a murderous child cult in a small Midwestern town. She spends the next decade living anonymously in an attempt to spare her son the horrors that she experienced as a child. She lands in the small Oklahoma town, but something is following her. Now, she must confront this evil or lose her child.
A seemingly mild mannered man - who has just murdered his entire family - quickly adopts a new identity and leaves town. After building a new relationship with a widow and her teenage daughter, he struggles to hide his true identity and maintain a grip on reality.