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The One Show - (Mar 29th)
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***What if your stepfather is a psycho?*** After an amiable man (Terry O'Quinn) in the Seattle area slays his family he starts a new one under a different identity, but his discerning stepdaughter (Jill Schoelen) picks up on his questionable morality. “The Stepfather” (1987) is a solid crime drama/thriller with a bit o’ horror. Movies like “Psycho” (1960), “Play Misty for Me” (1971), “Halloween” (1978), “The Shining” (1980) and “Fatal Attraction” (1987) come to mind, but this is equal parts coming-of-age drama in the mold of “The Crush” (1993) with a sort of inverted story. O’Quinn effectively portrays the delusional titular character while Schoelen is reminiscent of a young Demi Moore. The decidedly 80’s score is quaint. The film runs 1 hour, 29 minutes, and was shot in the Vancouver area, including Edgemont Village. The main cast is rounded out by Shelley Hack (the girl’s mother), Charles Lanyer (her therapist) and Stephen Shellen (the justice-seeking brother of the original family). GRADE: B+
Leaving a scene of carnage behind him, “Jerry” (Terry Quinn) chucks the evidence over the side of his departing ferry and goes off in search of a new life. He is soon settled down with “Susan” (Shelley Hack) and her teenage daughter “Stephanie” (Jill Schoelen). That all seems to be proceeding well enough, he’s got a job as an estate agent and though his relationship with his new step-daughter could be better, things seem fine. Suddenly, though, it’s as if a switch has been flipped and his previously more menacing character starts to rear its ugly head. His family aren’t quite as malleable as he required and so, well, you can imagine his reaction and the rest of the plot. I suspect his approach to a pain-in-the-ass teen might resonate with some, but perhaps not with a family who have to come to terms with his increasingly unpleasant behaviour and that’s really the gist of this. It’s not exactly original, nor does it stray very far from the path of predictability as the drama is repetitively protracted to maximise the sense of peril without really paying much attention to plausibility. We know that “Ogilvie” (Stephen Shellen) is on his trail, but that thread rather peters out before a denouement that is both rushed and clumsily sequel-boding. It’s ok, but nothing special, sorry.
ADGP Mathew Manjooran, returns to work after a seven-month sabbatical, only to take voluntary retirement. His last day has him investigating a case involving triple murder, including a police officer. Soon a pattern emerges and each clue also links Mathew. How is the veteran police officer tied to the murders and who is the real villain?
A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.
Good policing doesn't necessarily mean doing everything by the book. But as the business of crime in London turns to favour the Albanians and Turks, how does a "good" policeman survive?
In a wealthy and isolated desert community, a sound expert is targeted as the prime suspect of a series of brutal murders of local suburban housewives who were attacked and mutilated in their homes. As he desperately tries to prove his innocence, his wife starts to uncover startling truths...
In the Philadelphia police department, Emmett Young is a hotshot, a workaholic newly promoted to homicide. He learns he has a disease that will soon kill him painfully, so he hires a stranger to arrange his own death. With one eye on the calendar (he's allowed a few days' grace before his murder), he pursues a final case, the serial killing of young women. Emmett develops a profile of the assailant. Meanwhile, his fixer hires an ex-cop to kill Emmett, a lonely security guard whom the fixer taunts and belittles. In this limited time, can Emmett sort out what's important?
True story of a young woman's abduction by a deranged loner that led to the largest manhunt in the history of Pennsylvania.
Overprotective mother Liz Benedict meets 18-year-old orphan Joanna Redwine and hires her as house help and live-in companion to rambunctious daughter Tara. Liz's husband Jeff isn't too thrilled with the arrangement, and his fears soon prove justified when Joanna begins to manipulate everyone and to slowly destroy the family. Meanwhile, next-door neighbor Dr. Linquist investigates and discovers Joanna has a disturbing past.
When the corpse of mobster Miguel "el chino" Sanabria surfaces, everyone thinks his death is the result of an argument during the heat of the moment. That is, everyone except Officer Ferran (Victor Mayo), who believes something more menacing was at fault. Along with Picasso (Juanko Vellido), the last person to see Sanabria alive, Ferran sets out to find the truth behind the murder - and learns something about his own destiny in the process.
When tragedy strikes his remarkable robot and the beautiful girl next door, lonely teenage genius Paul tries to save them by pushing technology beyond its known limits into a terrifying new realm.
Despite vocal objections from Warden Blakely, prison psychologist Diana Purlow journeys deep inside the mind of serial killer Jesse Mowat in a desperate attempt to reveal the source of his psychotic tendencies.
Chloe Keane is an stressed American fashion model living in London who is about to have the worst weekend of her life. She and her boyfriend are invited to attend a party at the house of a former rock-star named Stan and his weird family who live in the countryside. Chloe awakes the next morning only to find her boyfriend has abandoned her at Stan's house and she has been drugged and handcuffed to the bed.