Kharman va Bazr

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

The story of community in the Deep South that is forced to deal with the struggles of ignorance, hypocrisy and oppression.

A newborn monkey and its mother struggle to survive within the competitive social hierarchy of the Temple Troop, a dynamic group of monkeys who live in ancient ruins found deep in the storied jungles of South Asia.

Elephants disrupt the lives of a family deep in the jungles of Northern Siam, and an entire village.

Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

The film chronicles everyday struggle of a Russian woman for “ordinary” happiness of her family.

Beneath its reassuring façade, Davos is each year at the heart of the Western and capitalistic world. Every chief of State and everyone who is someone in the money world meets with their peers in the Swiss village. What is really at stake in Davos ? Julia Niemann and Daniel Hoesl create a fascinating observational documentary in which judgement is never handed out and where the dialectics of conflicts matter more than easy and reassuring answers. The film asks the viewer some uncomfortable questions by focusing on challenges that the new global economy poses to the world.