Visages, villages

Wild bears that bother livestock are captured with ropes and shipped to zoos.

The Renaissance master Botticelli spent over a decade painting and drawing hell as the poet Dante described it. The film takes us on a journey through hell with fascinating and exciting insights into Botticelli's art and its hidden story.

What if there was a museum that contained every type of life form in the universe? This experience takes you on a tour through the possible forms alien life might take, from the eerily familiar to the utterly exotic, ranging from the inside of the Earth to the most hostile corners of the universe. New research is upending our idea of life and where it could be hiding: not just on Earth-like planets, where beings could mimic what our planet has produced, but in far flung places like the hearts of dead stars and the rings of gas giant planets. Nowhere in the universe is off limits. Only when we know what else is out there will we truly know ourselves. This thought experiment will give us a glimpse into what could be out there, how we might find it, and just how far nature’s imagination might stretch.

Fafai, a young boy, lives with his grandfather on the island of Glamador in the Camargue. To help the old man who can no longer work, Fafai finds a job as a caretaker. He must tame wild horses. But during a storm, they escape and swim to the island of Glamador. Fafai leaves for the island to bring back the herd... Glamador is none other than the island on which Folco and Crin-Blanc end up arriving after their escape, told in Crin-Blanc. This film is the sequel to “Crin Blanc”.

Docudrama about the Soviet occupation of a Finnish village in the fall before the Winter War.

Take a revealing tour along a coast of contrasts, from the folksy freshness of Whitby to the coaly Tyne, queen of all rivers.

Ilford's Fairlop Plain provides the battlefield for ploughing matches between local hands and Essex outsiders.

Henri Cartier-Bresson: The Decisive Moment is an 18-minute film produced in 1973 by Scholastic Magazines, Inc. and the International Center of Photography. It features a selection of Cartier-Bresson’s iconic photographs, along with rare commentary by the photographer himself.

What happened to painter Beatriz González, who made us laugh with the irony of her works, to get to the point of making a self-portrait that shows her crying naked? The path of the artist is intimately linked with the history of Colombia during the past fifty years.

A painter, a naked woman, and a camera. In this triple constellation we explore the power of the gaze and the roles it imposes on us. An artist's studio turns into the setting for questions about how we look at and perceive women. The naked skin of the model becomes the canvas for an audiovisual exploration of the ways in which seeing and being seen anchors us in our body. And how this body shapes our experience of the world and our role in it.