Freedom of the Press

A crime caper featuring the 'first family of Hollywood' - the Watsons.

Students at Schofield begin to notice odd happenings at their school.

A wealthy man, suspected of murder, is killed before he can be arrested. Everyone in his household is under suspicion. A private investigator looks into the case and finds himself falling in love with one of the suspects.

Rubber Jack, a Big Apple-based Japanese thief in debt to mobsters, robs a convenience store and winds up with money from a major bank heist. With the help of bartender Cash, a mercenary buddy who first betrays him and then saves his neck, he tracks the source of the bills to Key West, Florida, and the two head south in search of a mysterious woman named Sunny. Meanwhile the mob has caught the whiff of a $2 million payday and is hot on their trail.

Two teenagers fight over the remote. It does not go unnoticed by the people on screen.

A hardened debt-collector goes on a 24-hour rampage through London in an attempt to avenge the brutal attack on his teenage daughter.

David Janssen plays Harry Orwell, a retired L.A. cop who was shot during a robbery and whose partner was killed in the incident. Harry is in constant pain due to the bullet lodged near his spine, but he works off and on as a private detective to supplement his pension. Late one night, Harry is approached in his home by one of the men who shot him (Martin Sheen) to help find the other man (Sal Mineo) involved in the robbery, who he says is trying to kill him. Is it a setup? This was the first pilot for the ABC detective series *Harry O*, which (after a second pilot, *Smile Jenny, You're Dead*, was picked up) aired from September 1974 to April 1976.

The story revolves around a guy whose got a defect in him and how he gets trapped in a crime which forces him to kidnap a girl in order save his beloved ones.

After an explosion destroys the headquarters of a big bank the investigation starts... And a lot of people are under suspicion.

Hard-nosed liberal lawyer Roman J. Israel has been fighting the good fight forever while others take the credit. When his partner – the firm's frontman – has a heart attack, Israel suddenly takes on that role. He soon discovers some unsettling truths about the firm – truths that conflict with his values of helping the poor and dispossessed – and finds himself in an existential crisis that leads to extreme actions.