America: The Birth of Freedom

During the 1950s, musical masterpieces that have yet to be equaled were produced in Cinemascope with stereophonic sound. These two episodes explore how the post-war years were alive with bold experimentation in musical film. Later in the decade, Rock & Roll became the musical choice of the younger generation and movie musicals followed suit. Highlights of this 2-part program include: Films based on smash Broadway musicals become the rage. A pretty starlet with no musical training named Marilyn Monroe takes the country by storm in "Gentlemen Prefer Blondes." With favorites from the previous decade continue to delight audiences: Rock & Roll films, songs and musical numbers.

Documentary looking at the history of Hollywood musicals in the 1960s. This decade saw independent film companies becoming more prominent as the bigger Hollywood studios, who produced the mainstream musicals, experienced a decline. This brought the emergence of more realistic story lines and the use of contemporary music like rock 'n' roll. This programme features songs from the musicals 'West Side Story' (1961), 'The Music Man' (1962), 'Mary Poppins' (1964), 'The Umbrellas of Cherbourg' (1964), 'Funny Girl' (1968), 'Oliver!' (1968) and 'Sweet Charity' (1969).

In the 1980s we got our MTV but seemed to have lost much of the musical film in the process. But the genre is resilient. A handful of masterpieces along with a few cult classics emerged from this decade. In the 1990s the Hollywood musical was largely animated, rather than live action. However, television had a surprising number of musical offerings, including “Gypsy” with Bette Midler and “Annie” which launched director Rob Marshall. In the 2000s musicals came back starting with “Moulin Rouge” and carrying on with “Chicago,” “Dreamgirls” and “Hairspray.” There are movies based on Broadway triumphs and once again there are teens singing and dancing.

The history of Europeans in North America, from the arrival of Columbus in 1492 to the business success of German immigrants such as Heinz, Strauss or Friedrich Trumpf, Donald Trump's grandfather. During the 19th century, thirty million people — Germans, Irish, Scots, Russians, Hungarians, Italians and many others — left the old continent, fleeing poverty, racism or political repression, hoping to make a fortune and realize the American dream.

WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!

Twenty-five films from twenty-five European countries by twenty-five European directors.

New York trapper Tom Dobb becomes an unwilling participant in the American Revolution after his son Ned is drafted into the Army by the villainous Sergeant Major Peasy. Tom attempts to find his son, and eventually becomes convinced that he must take a stand and fight for the freedom of the Colonies, alongside the aristocratic rebel Daisy McConnahay. As Tom undergoes his change of heart, the events of the war unfold in large-scale grandeur.

Eye Filmmuseum and the British Film Institute present a compilation film of newly-restored rare images from the first years of filmmaking. Immerse yourself in enchanting images of Venice, Berlin, Amsterdam and London from 120 years ago. Let yourself be carried away in the mesmerizing events and celebrities of the time, and feel the enthusiasm of early cinema that overcame the challenge of capturing life-like movement.

This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul. Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten. The conversations are punctuated by clips of the film.

A compilation of trailers for various horror and sci-fi films, narrated and hosted by Vincent Price.

The founding father has an extramarital affair and meets with the likes of Thomas Jefferson.