A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
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Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Here's Mel to give the Brits an inaccurate historical thrashing, again... The Patriot is based around one Benjamin Martin, an ex-soldier, who now happily living as a family man finds himself thrust into conflict at the break of the American Revolution. He loves the Brits does Mel Gibson, "Gallipoli", "Braveheart" and here with "The Patriot", see the pattern anyone? As with the aforementioned "Gallipoli" and "Braveheart", certain liberties have also been taken with events in "The Patriot" so as to glossy up for the eager Hollywood contingent. It's not my want to scribble about the facts of Benjamin Martin (Re: Francis Marion), or William Wallace for that matter, information as such is but a mere click away on the world wide web. So casting aside the artistic licence factors, is "The Patriot" any good? Well nearly it is -- nearly. Gibson is fine, he shoulders the burden of the film with great gusto and no shortage of emotional depth. It's very easy to accept him as a staunch family man who transforms into a blood thirsty warrior. The problems, acting wise, lay away from Gibbo's central performance. Surrounded by caricature villains (though Jason Isaacs' Tavington is deliciously vile) and underwritten characters (Chris Cooper wasted and Joely Richardson is but a mere prop), Gibson has no choice but to hog the screen. So much so it ultimately turns into a one man star vehicle, which for a costume war epic isn't a great thing really. Roland Emmerich ("Independence Day" and "Godzilla") directs and handles the battle sequences very well, there's lashings of blood as men line up to shoot and dismember one and other. While cannonball's whizz, bang and tear off body parts, it's grim, yet oddly rousing stuff. Not even the overtly flag waving and sloganeering on show can off set the impact of the well constructed battles. There is of course lots of tragedy to be found in the film, and these are some what surprisingly, tenderly handled by Emmerich, but mostly it's via an on song Gibson, who remains one of the few modern day male actors capable of believable grief. All of this is given a John Williams score that suitably flits between rousing and ethereal, and things are further boosted by the sumptuous photography from Caleb Deschanel. There should have been more thought given to the racial (slaves) aspects in the conflict, and this coupled with the bad errors of under developed characters hurts "The Patriot" as a filmic exercise, not so as to stop it being entertaining, but more to stop it being a one man show. But as it is, thanks in the main to Gibson, and in spite of the overtly evident faults, it's an above average drama. 6/10
The gruesome Nazi Zombies are back to finish their mission, but our hero is not willing to die. He is gathering his own army to give them a final fight.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.
In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
A mysterious spacecraft captures Russian and American space capsules and brings the two superpowers to the brink of war. James Bond investigates the case in Japan and comes face to face with his archenemy Blofeld.
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.