Janine F.

In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.

Take The Bridge is a 2007 independent film from Sergio M. Castilla about four young adults who all try to commit suicide on the same day and how they meet up and become friends. The film Premiering at the 2007 Tribeca Film Festival.

An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home. In Mexico, a flawed, but noble policeman agrees to testify against a powerful general in league with a cartel, and in San Diego, a drug kingpin's sheltered trophy wife must learn her husband's ruthless business after he is arrested, endangering her luxurious lifestyle.

Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.

Two sisters and their male counterparts struggle with the negative influences of their youths over a 50-year period.

A group of bored college students unleash a murderous demon while playing a dice game made from human knucklebones.

Temporarily homeless Jarna is in the deepest trouble of his life. Debtors have come to collect old drug debts and Jarna is given 24 hours to pay up, setting off a frantic, amphetamine fueled battle against time. Manic speed, fear of killers on his tail, paranoia and self-loathing over old wrongs eventually lead to a traffic accident. Jarna can no longer escape, his pace slows and he is on the verge of giving up. The moment has come when a near-lifetime of running must come to an end.

Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol and sedatives and Michele, a painter driven to a life on the streets because of a failed relationship and an affliction which is slowly turning her blind.

One of the most provocative and elusive figures in contemporary art finds himself the subject of Maura Axelrod's film. Catapulted to worldwide notoriety in 1999 by The Ninth Hour, a sculpture of Pope John Paul II toppled by a meteorite, Maurizio Cattelan's work has bordered on criminal activity (breaking into a gallery and stealing another artist's work) and regularly defies good taste - Him features Hitler in prayer and sold earlier this year for a whopping £12,000,000. Building his career on evasion, trickery and subversion, Cattelan is perhaps not the most reliable of interviewees, but ex-girlfriends, family members, collectors and dealers build a compelling and intimate portrait of an enigmatic figure. Bold, witty and playful as a Cattelan work itself, is this film really all it seems?

Made shortly before Robert Motherwell’s death in 1991, is an exploration of the Abstract Expressionist movement and a portrait of one of its last survivors. Having come to New York in the early 1940s, Motherwell found himself on the battleground of American art. He and a group of painters set out to change the face of American painting. The film charts this epic battle led by Jackson Pollock, Willem de Kooning, Mark Rothko, Franz Kline, and Robert Motherwell, who endeavored to make American painting equal to painting elsewhere and, in the process, shifted the center of modern art from Paris to New York.