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Full of dark revelations and scattered with offbeat satire, ‘Papi Chulo’ has an important message to share about mental health. Its pacing isn’t perfect and the result is a story that lags at times, but this film bravely tells a story rarely seen on screen, let alone from within the LGBT community. And fear not - despite its heavy subject, it finishes with a happy ending that’s both fitting and still grounded in reality. ‘Papi Chulo’ is an important start to a discussion that requires a much larger conversation. - Charlie David Page Read Charlie's full article... https://www.maketheswitch.com.au/article/review-papi-chulo-a-deep-dark-comedy-dealing-with-lgbt-mental-health Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
Local television weatherman “Sean” (Matt Bomer) has a bit of brain freeze whilst on air and is sent home for a few weeks of gardening leave. It’s then that we discover he has recently split from his boyfriend and all that’s left of the relationship is a mark on their patio where a plant once stood. He tries to see to it himself, but decides it’s best to get a little man in - and so drives down to the corner where the immigrants gather and recruits “Ernesto” (Alejandro Patiño). He doesn’t speak much English and gets on with his work but inexplicably “Sean” starts to find himself drawn to this older, straight and slightly bamboozled gent who is happy to take the cash for a day’s work but in no way sees his new benefactor in any sort of a sexual, or emotional, fashion. It only takes so long to cover a spot on the patio, so soon “Sean” is finding other excuses to spend time with “Ernesto” - much to the confusion of that man’s wife, but gradually the pair begin to understand and respect each other. It’s a film about friendship, pure and simple, and though Bomer is the star it’s really Patiño who steals the plaudits as his bemused character has to navigate this new world of his gay friend. Some of his facial expressions are hilarious as the story sort of meanders along without any obvious place to go, nor need to go either. At times it’s quite a potently amiable look at breaking down barriers, assumptions and stereotypes without their being an agenda - and is worth a look.
Upon receiving his draft notice and leaving his family ranch in Oklahoma, Claude heads to New York and befriends a tribe of long-haired hippies on his way to boot camp.
In 1950s Connecticut, a housewife's life is upended by a marital crisis and mounting racial tensions in society.
A street cop is picked by the national security service in order to carry out an important and delicate task. His mission is to go undercover and infiltrate a dangerous international cabal of homosexuals.
Strangers in their own birthplace, 16-year-old Danny and 18-year-old Odysseus cross the entire country in search of their Greek father, after their Albanian mother passes away.
Spin the bottle. Get stuck in a small room with the person you hate the most for seven minutes. Deal with his egotism. At the end of the timer, neither of you is going to see the other the same.
Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.
A midwestern teacher questions his sexuality after a former student makes a comment about him at the Academy Awards.
Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.
This examination of a famous scandal from the 1970s explores the relationship between Barbara Baekeland and her only son, Antony. Barbara, a lonely social climber unhappily married to the wealthy but remote plastics heir Brooks Baekeland, dotes on Antony, who is homosexual. As Barbara tries to "cure" Antony of his sexuality - sometimes by seducing him herself - the groundwork is laid for a murderous tragedy.