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This movie is an attempt to create the new "Inception", and whether if you liked that movie or not is good indicative of if you will like this one. The plot follows a detective who had his child kidnapped four years ago. He starts to work in a multi-bank roberry case and soon it gets clear the thief has hypnotic powers. Additionally, his missing daughter seems to have some relation to the case. Although the detective has some natural resistance to mind manipulation, the reality is wrapped between so many layers of illusions that it is hard to know what and who is real. The writers do a good job in building the plot in a way it's very hard to predict the plot twists. The acting is good. I just felt the movie went too deep on the plot twists to a point that most that is shown throughout the movie has no importance. Good movie although, but I would be surprised if it becomes a movie that will forever be remembered.
MORE SPOILER-FREE MINI REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2023-edition "Hypnotic carries the narrative potential to become a mind-bending film packed with jaw-dropping twists and incredibly captivating storytelling. Unfortunately, despite some interesting moments and an excellent cast, Robert Rodriguez and Max Borenstein deliver a messily edited, extremely confusing mishmash of ideas not as clever as the filmmakers try to make them out to be. I don't remember the last movie that had such a brutal amount of lazy exposition to explain every plot point or character development moment. A complete disappointment." Rating: C
Hypnotic failed to "mesmerise" this viewer. A disjointed story, weak characterisations and mediocre action, are my not so enduring impressions, of this film. In short, this is forgettable cinematic fare, that's predominantly driven by exposition and little else. Using a big name actor, like Ben Affleck, for me at least, wont fix this films shortcomings. Not sure too, why characters in the latter part of the film are dressed like car rental agents (oh well...)? In summary, superficially watchable but instantly forgettable, action fare.
You know, for the first half hour of this, I thought it was just a remake of "The Mummy" (1999). "Danny" (Ben Affleck) and "Diana" (Alice Braga) are racing around trying to find his daughter who appears to have been kidnapped by "Dellrayne" (William Fichtner). The latter man is able to use his "Imhotep" mind-controlling powers to bend people to his will, and so can turn his friends and the mob into a baying crowd. Well what gradually unravels before us now is a rather lacklustre drama that explains that there are people amongst us known as "hypnotics". These beings, of varying strength, can manipulate those around them (with or without light-sabres) and it appears that his daughter could end up being their equivalent of a superhuman. Poor "Danny" has no idea whom he can trust or just quite what is going on, he just knows that he must ensure his child doesn't fall into their hands. This leads us, rather willingly for me by now, into the third phase of the story that really does kill any semblance of originality with our intrepid hero just one step ahead of a pursuing army of heavily armed holiday camp employees. The visual effects are adequate, but the rest of this is just derivate and the story tries to be too complicated for it's own good. It will do fine on the telly at Christmas but that's about it, I'm afraid.
King Kong, a clever thief who steals a cache of diamonds from some gangsters, frames another thief called White Glove for the crime. That's when the bald detective Albert Au, who has been chasing King Kong for quite some time, pairs with the volatile female Superintendent Ho to bring him to justice. King Kong ends up joining the good guys to defeat White Glove and another bad guy dubbed Mad Max, and recover the diamonds from the hiding place where they were left by King Kong's dead accomplice.
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
When Hollywood superstar George Reeves dies in his home, private detective Louis Simo is hired to investigate his death and gets caught in a web of lies involving a big studio executive's wife.
In the late 1940s, a murderous couple known as the 'The Lonely Hearts Killers' kills close to a dozen people. Two detectives try to nab the duo who find their targets via the personals in the paper.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Somerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
Having met on a train, a smooth-talking psychotic socialite shares his theory on how two complete strangers can get away with murder to an amateur tennis player — a theory he plans to test out.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
After the harrowing death of his partner, forensic psychologist and best-selling author Alex Cross cannot forgive himself and has retreated to the peace of retirement. But when a brilliant criminal kidnaps a senator's young daughter, he is lured back into action as the kidnapper wants to deal with Alex personally. Teamed with Jezzie Flanigan, the Secret Service agent assigned to protect the missing girl, Alex follows a serpentine trail of clues that leads him to a stunning discovery - the kidnapper wants more than just ransom.
In 2035, where robots are commonplace and abide by the three laws of robotics, a technophobic cop investigates an apparent suicide. Suspecting that a robot may be responsible for the death, his investigation leads him to believe that humanity may be in danger.
When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story."