War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Bring Them Down 2024 - Movies (Mar 27th)
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The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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**_Peter Cushing’s missing Frankenstein flick, sort of_** In 1828 Edinburgh, an ambitious doctor of anatomy (Peter Cushing) needs corpses for his work, which are dubiously supplied by two base men (Donald Pleasence and George Rose). This can’t end well. Shot in B&W (unfortunately), "The Flesh and the Fiends" (1960) is based on the infamous Burke and Hare murders and has been released under various other titles, like “Psycho Killers” and “Mania.” It was the first horror flick to feature Cushing not produced by Hammer Films, but it was shot at one of the studios that Hammer used in the greater London area and involved some of the same talent (at the time or in the near future), such as director John Gilling. So, naturally, it’s similar to a Hammer film. It's most comparable to Cushing’s Frankenstein movies since Dr. Robert Knox comes across as a real-life version of Baron Victor Frankenstein, not to mention the events take place just a decade after the publication of Mary Shelley’s Gothic novel. For those not in the know, Cushing starred as Dr. Frankenstein in six Hammer films between 1957-1974. Being based on a true story, this lacks the sensationalism of Hammer horror; it’s unsurprisingly more dramatic and mundane. Yet I liked how Dr. Knox is fleshed out (similar to Cushing’s Victor Frankenstein), as well as the side story involving one of Knox’s Med students (John Cairney) falling for a wild lower-class lass of the taverns (Billie Whitelaw). There are two versions of the film with the “continental version” featuring nudity that was surprising for a flick shot in 1959, which mostly consists of female top nudity; but there are also a few shots of a couple women totally nude, like one walking around the tavern in the background. Of course, such (tame) nudity was nothing new in cinema if you’ve seen 1934’s “Tarzan and His Mate,” but the Hays Code put the kibosh on it in America until the late 60s and the BBFC did the same in the UK. It runs 1 hour, 35 minutes, and was shot at Shepperton Studios, just southwest of London. (The censored version runs a minute shorter while the version called “The Fiendish Ghouls” cuts out some 23 minutes). GRADE: B-
When flesh-eating piranhas are accidently released into a summer resort's rivers, the guests become their next meal.
Three college students set out to document what other people dread the most. However, one of the three turns out to secretly be a sadistic psychopath who uses this knowledge to gruesomely torture the subjects.
The film is a graphic depiction of the war atrocities committed by the Japanese at Unit 731, the secret biological weapons experimentation unit of the Imperial Japanese Army during World War II. The film details the various cruel medical experiments Unit 731 inflicted upon the Chinese and Soviet prisoners at the tail-end of the war.
When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.
Helmed by writer-director Andreas Marschall - and a piece of fiction passing as fact - the direct-to-video horror indie Tears of Kali returns to the early eighties and plunges into a nightmarish scenario wrought when several EST-like groups establish themselves in India. One of the more extreme communes, the Taylor-Eriksson cult, carries its "quest for self-knowledge" to a malevolent end, with numerous group members trapped, tortured, murdered and mutilated. Tears of Kali tells their twisted and disturbing story. Mathieu Carriere, Peter Martell, Cora Chilcott, Vronie Kiefer, and Nuran Celik head the ensemble cast.
A crazed scientist experimenting with a rage virus on innocent victims in a laboratory in the woods. When his monstrous subjects escape and vultures devour their remains, they became mutations seeking to feed on humans.
After their human test subjects turn into animalistic horrors, a small group of scientists barricade themselves in their laboratory, but they must balance moral conflict with survival as their botched creations attack.
During World War III, the American government initiates a secret project codenamed ‘Army Bacon’ in order to create super soldiers by inbreeding humans with pigs. 25 years later the hybrid Muzzles have occupied the top of the food chain, eating and farming humanity. Ex-bounty hunter Rob Justice works for the last line of human resistance - a group of survivors hiding in a nuclear bunker deep underground - and his mission is to search and destroy Muzzle Central.
A desperate doctor locks down South Union Cardiac Hospital to keep the greatest discovery in human history to himself, while a young intern races to save a dying young dancer, his ex-girlfriend, and his best friend, and stop his mentor.
Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.
University professor George Kingsley is struck by gangsters while crossing the street, leaving him with brain damage and one of the gangsters, Cannon, paralyzed. Kingsley's friend Dr. Sovac attends to both men, and when Cannon offers him a reward for aiding his recovery, Kovac transplants part of Cannon's brain into the dying Kingsley's skull, creating a dual personality.