Portrait of a Choreographer

The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.

Hotel Armada is a curated portrait of dance and expression showcasing talents in the world of contemporary, vogue, and ballet. It is an integration of time, space, movement and sounds highlighting each performer's rawness in their power and beauty.

It's hard to define her. And that's precisely the way Lady Gaga wants it. Yes, Stefani Joanne Angelina Germanotta had a plan to remake herself into an outrageous icon. It began with Italian Catholic New York City roots then expanded to glam pop, electronic rock, burlesque and even jazz alongside nonagenarian crooner, Tony Bennett. Piano lessons began at age four and taught Stefani to create music by ear. There were lead roles in high school standard Broadway show productions then open mic nights at downtown clubs and 1 1/2 years of formal training at N.Y.U.'s Tisch School of the Arts. Even a rape at age nineteen slowed but did not stop the mission that would yield over 200 million combined album and song sales. No wonder that Gaga's fans call her "Monster Mother." An outrageous fashion sense has wrought costumes made of plastic bubbles and raw meat. While elaborate videos and spectacular stage sets are the norm,

Narrated by Terence Stamp, this TV program documents the life and career of famed ballet dancer Rudolf Nureyev, through interviews with friends and colleagues and archive footage.

The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.

Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

Released on DVD as part of The Criterion Collection's "Martha Graham: Dance on Film" collection.

A love letter to Mar del Plata made of images, times and a road trip. "The Happy Ones" is an experimental short documentary composed of past and present family footage. It portrays a place in the summer, the city of Mar del Plata, with a span of 20 years between past and present images (January 2000 and 2020). Despite the time that passed by, it's beaches, essence and people remain, always willing to keep dancing.