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In 2002, cable news producer Kim Barker decides to shake up her routine by taking a daring new assignment in Kabul, Afghanistan. Dislodged from her comfortable American lifestyle, Barker finds herself in the middle of an out-of-control war zone. Luckily, she meets Tanya Vanderpoel, a fellow journalist who takes the shell-shocked reporter under her wing. Amid the militants, warlords and nighttime partying, Barker discovers the key to becoming a successful correspondent.

Towards the end of the Vietnam war, the US is running low on drivers for their supplies so they bring in a new lot of recruits and have to train them to survive in the dangers of wartorn Vietnam. The recruits are trained briefly by an American officer but are quickly handed off to their South Vietnamese officers and are made to go out into the dangers of Vietnam without getting the protection they need by the Americans who are more concerned with withdrawing their own troops instead of protecting the South Vietnamese

A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey.

The story of British officer T.E. Lawrence's mission to aid the Arab tribes in their revolt against the Ottoman Empire during the First World War. Lawrence becomes a flamboyant, messianic figure in the cause of Arab unity but his psychological instability threatens to undermine his achievements.

A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.

After proving himself on the field of battle in the French and Indian War, Benjamin Martin wants nothing more to do with such things, preferring the simple life of a farmer. But when his son Gabriel enlists in the army to defend their new nation, America, against the British, Benjamin reluctantly returns to his old life to protect his son.

A hardened mercenary in the Foreign Legion begins to find his own humanity when confronted with atrocities during the fighting in Bosnia.

Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.

A story of love, dreams, politics, revolution, and the aftermath of a civil war in Bangladesh.

The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"