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'Harriet' stumbles in its clichéd storytelling and focus on going for gold - but that's not to undermine the fantastic acting, groundbreaking music, and of course the incredible true story of Harriet Tubman's bravery. With Black Lives Matter, the fight to end violence and systemic racism towards black people is rooted in the United States' DNA and 'Harriet', and sadly serves as yet another reminder of the constant mistreatment of African Americans. Films about slavery are still relevant, as that same discrimination is still taking place today. I want to end with lyrics from the film's song 'Stand Up' which feel very potent: “I'm going to stand up, take my people with me, together we are going, to a brand-new home.“ - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-harriet-a-flawed-harriet-tubman-biopic-with-a-phenomenal-performance
Cynthia Erivo delivers really strongly here as the eponymous woman who strives to escape generations of enslavement herself, then work to free her family and her race from the brutal oppression of their overlords. This characterisation of her sheer determination, coupled with a feistiness and courage is indeed well captured but sadly the rest of this is little better than an ordinary television movie. It's not that anyone is especially bad, it's just that none - especially Joe Alwyn's "Brodess" - really cut through. Janelle Monáe doesn't feature often enough to make too much impact and the rest rather follows a precisely produced narrative that failed to inject any real sense of the menace faced by this woman swimming against a societal tide that few had dared before her. It's all just a bit too clean, too sterile and even at it's emotional height - well, I just kept thinking someone was going to give us a song. Maybe it would have had more impact that way? There's also too little emphasis on her work as a "freedom fighter" - a sort of Robin Hood style of character determined to emancipate her people with a bare minimum of violence and spurning the more obvious instincts of revenge upon her former persecutors. The message is there, OK, but it relies far too much on the presumed attitudes of the audience rather than powerfully demonstrate the bleakness of her prospects and the injustice of their psychologically shackled existence. It's watchable enough, but sadly just a little too underwhelming.
When the cameras rolled, Doris Day wore a happy face, never hinting at the pain she endured in her personal life. This documentary brings viewers close to the real Doris Day through the eyes of her friends and family members and with the help of film footage, newsreels and photographs. What surfaces is a complex picture of an equally complicated woman who faced problems far more formidable than her cinematic image revealed.
In late 19th century France, the Countess Louise, wife of a wealthy general, sells the earrings her husband gave her on their wedding day to pay off her secret debts, then claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, and her new lover, the Italian Baron Donati.
An indentured Chinese laborer, brought to Japan to work in a coal mine during WWII, manages to escape his captors. He hides out in the Japanese countryside, so far from human habitation that he does not realize when the war ends, with ultimately tragic results.
In the occupied Netherlands near the end of WWII, a young teenager, Jeroen Boman (Maarten Smit) is sent to the Dutch countryside to avoid the war in Amsterdam. While living with his adopted family, Jeroen meets and becomes friends with a Canadian soldier named Walt Cook, who is stationed at the same town he is staying at. Joroen and Walt spend a lot of time playing around and eventually a romantic relationship develops between them. The boy’s sexual curiosity leads him to have a sexual experience with Walt, an encounter that is shown with some vague detail but without actually showing any nudity, even though sexual intimacy between the two of them is implied. Overall, the movie handles this difficult subject with an elegant style and feeling, without having the adult-child relationship overwhelm the viewer and thus allowing the movie to be seen as just a wartime relationship between two people that marks an important time in a young boy’s life.
The story of acerbic 1960s comic Lenny Bruce, whose groundbreaking, no-holds-barred style and social commentary was often deemed by the establishment as too obscene for the public.
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.
When beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.