Sebastian 2024 - Movies (Oct 2nd)
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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
The film is a free adaptation to fiction of the life of one of the worst communist guerrillas that ever lived in Brazil. It can not be considered a biographical film, much less a documentary, since many situations and scenes were created by the film director, niece of the terrorist, to substantiate the character's "hero" thesis. No matter how clear the interest in humanizing Marighella, trying to turn it into myth, the insistence on trying to associate it simply as an uncle, an ordinary man, is no longer a mere initial curiosity and gradually becomes an exaggeration unnecessary of the director. This duality, between the familiar and historical aspect, punctuates the whole film, provoking a clear conflict in the "documentary", making it a work of fiction. In the real life, the main character was never black, but in the film, the discourse of humanization and equality, loses space for the victimization of this criminal, responsible for several brutal murders during the Period of Military Intervention in Brazil (1964-1981). Unfortunately, when political and ideological discourse seeks to be superior to the production of a work of art, we have only the production of a mediocre film, disguised as a documentary that seeks to present only one facet of Brazilian history in this period. Wanting to justify brutal killings for simple acts of political intolerance.
A tad slower than I would've liked, though 'Marighella' is still very good. Seu Jorge puts in a noteworthy performance throughout, all the more impressive given acting isn't his bread and butter. I also enjoyed Bruno Gagliasso in this, not his character of course but the actor's showing is good. The rest of the cast, e.g. Humberto Carrão and Luiz Carlos Vasconcelos, merit praise too. I can't say I knew anything about Carlos Marighella (surname did ring a slight bell beforehand, mind) or even much about this era of Brazil, which is something I actually prefer as I like to judge a film as a film and not having prior knowledge only helps that. Therefore, I wouldn't know how truthful this biopic is or isn't but I will say it doesn't hold much back - there are some very rough scenes scattered across the near 3hrs. Speaking of the run time, I do think it's ever so slightly overlong - I was never pining for the finish or anything close to that, but there are a few moments where I felt the film could've sped itself up a bit. It's not a true criticism of mine, though.
An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.
Jaana is a restaurant owner and mother of two, who spends her free time riding. Jaana lives with her charismatic, but short-tempered partner Marko. Jaana's life changes in a flash when she becomes paralyzed in a serious accident.
When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.
Martin's plane crashes in the jungle of Brazil. Nobody believes he survived. In the meantime his wife, Sally, has fallen in love with another man, Dr. Harper. Martin is found and returns to Sally. Unable to face his demons, Martin considers ending his life. Or does Sally do it for him?
Mato Grosso do Sul, Brazil, the present. When a young Guarani-Kaiowá woman commits suicide, Nádio leads his community to form a protest camp on the borders of a local farm that sits on their ancestral burial ground.
For ten years, engineer Bill Markham has searched tirelessly for his son Tommy who disappeared from the edge of the Brazilian rainforest. Miraculously, he finds the boy living among the reclusive Amazon tribe who adopted him. And that's when Bill's adventure truly begins. For his son is now a grown tribesman who moves skillfully through this beautiful-but-dangerous terrain, fearful only of those who would exploit it. And as Bill attempts to "rescue" him from the savagery of the untamed jungle, Tommy challenges Bill's idea of true civilization and his notions about who needs rescuing.
A fearsome 19th century bandit, Cobra Verde cuts a swath through Brazil until he arrives at the sugar plantation of Don Octávio Countinho. Not knowing that his new guest is the notorious bandit and impressed by his ruthless ways, Don Octávio hires Cobra Verde to oversee his slaves. But when Cobra Verde impregnates Don Octávio’s three daughters, the incensed plantation owner exiles the outlaw to Africa where he is expected to reopen the slave trade. Following his trans-Atlantic journey, Cobra Verde exploits tribal conflicts to commandeer an abandoned fortress and whips an army of naked warriors into a frenzied bloodlust as he vies for survival.
Painter Francisco Goya becomes involved with the Spanish Inquisition after his muse, Inés, is arrested by the church for heresy. Her family turns to him, hoping that his connection with fanatical Inquisitor Lorenzo, whom he is painting, can secure her release.
Unites 8 Latin American filmmakers from countries such as Argentina, Brazil, Chile, Cuba, Spain, and Mexico in a single feature to count depict in seven stories some of the most brutal crimes that have happened in these countries.