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_O Homem do Ano_ starts with a fantasy-come-true: Máiquel (Murilo Benício) shoots local hoodlum Suel (Wagner Moura) in the back, killing him, but rather than get into trouble, Máiquel is hailed a hero by his neighbours. He goes on to become a minor celebrity as people leave gifts for him for his "heroic deed", not the least of which is a piglet that he names Bill. Máiquel gains a girlfriend in Cledir (Cláudia Abreu) and an admirer/patron in Dr. Carvalho (Jorge Dória), a dentist. The hero's life becomes more complicated when Suel's very young girlfriend Érica (Natália Lage) insists that Máiquel give her a place to stay since he killed her boyfriend, and Dr. Carvalho enlists him to take out the man who allegedly raped his daughter. This movie is at its strongest when it's setting up the pieces on the board. We wonder where Máiquel's life is headed as no one seems terribly bothered by his taking a human life. His becoming a killer for hire seems only to result in reward with no downside. Máiquel appears to understand that murder is wrong, but it's not something that keeps him up at night. Rather, he's more concerned about whether or not to marry Cledir who has become pregnant with his child and getting himself an above-board job. It's only when Máiquel becomes a successful hitman and gets his friends to help out that he begins to suffer setbacks. One of those involves Érica finding religion either because she feels guilty for being with a killer or because she doesn't get enough attention or perhaps both. The appearance of religion in this movie attempts to show how corrupted Máiquel has become as he resorts to violence to deal with a pastor. Máiquel also has trouble with the law when police from outside his area start to investigate his friends. The challenges Máiquel faces in the latter part of the film are nowhere near as interesting as his entry into the world of murder. The surreal responses he receives to the killing of Suel give the story momentum as we wonder what's going to happen next in this bizarro world and if Máiquel will ever see justice for murdering a man. The issues he faces as he scales the social ladder are more typical of a crime drama and don't feel as fresh the film's setup. The third act is particularly troublesome since Máiquel essentially blames others for his problems and sets out to "right wrongs" in the only way he knows how. Máiquel seems to have no awareness of what he's become or his own culpability, making the ending rather problematic. Needless to say, _O Homem do Ano_ is not the type of movie you want to show to someone impressionable because it's very easy to take away the wrong lessons from it.
Joey, the church boy, drops out of school to follow Bill into a ‘cooler’ lifestyle, until he mixes with the wrong people, and commits the worst sin of all...
Jan and Maria meet at a party and are immediately drawn to each other. Their difficult financial situation and the scorn of society inflicted on them push them to a breaking point, culminating in a string of murders.
A young medical student travels to Berlin to investigate the apparent death of his brother and discovers a secret life of espionage, betrayal and murder at the highest levels.
London is terrorized by a vicious sex killer known as The Necktie Murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
Five different criminals face imminent death after botching a job quite badly.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
Four teenagers at a British private school secretly uncover and explore the depths of a sealed underground hole created decades ago as a possible bomb shelter.
New York police detective John Shaft arrests Walter Wade Jr. for a racially motivated slaying. But the only eyewitness disappears, and Wade jumps bail for Switzerland. Two years later Wade returns to face trial, confident his money and influence will get him acquitted - especially since he's paid a drug kingpin to kill the witness.