1/2 Mensch

Momoko's teacher asks the third grade to draw a picture based on their favorite song, to enter in a contest. She picks a song she's recently become fond of during music class, and is anxious to make a good drawing based on it. On her way to meet relatives in Shizuoka, Momoko meets Shoko Kimura, a university student who occasionally draws portraits and plans to participate in an art contest. Momoko and Shoko become close friends, and end up inspiring each other both in their own ways.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

The first DVD release of two Okada Yukiko videos, "Okada Yukiko in Switzerland" and "Okada Yukiko Memories of Switzerland", both released in 1985, on one disc.

Akina Nakamori's second video work "Hajimemashite" consists of 12 songs (including three singles "Slow Motion," "Girl A," and "Second Love") from her debut year (1982), filmed at Santa Monica Beach in Los Angeles and other locations where Akina Nakamori visited to record and interview for "Slow Motion" from March 11 to 17, 1982, just before her debut. It also includes the recording of her debut song "Slow Motion," and is full of valuable memorial footage from before her debut!

NEW AKINA Étranger Akina Nakamori in Europe is the first video release released by Nakamori Akina. It was released on October 12, 1983.

An experimental video essay which uses circles and waves to explore neurodivergent experience.

Short documentary on underground rap culture in New York City.

A collection of memories from a tumultuous time at University.

Through the perils of air combat, and an emergency landing behind enemy lines in Italy, Hank Sciaroni utilized his capability to speak Italian to help get him and his men to safety as the Germans closed in.

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

October 1945. A young Japanese boy in the devastated city of Nagasaki, two months after the atomic bomb, carries on his back the lifeless body of his younger brother. An American military photographer, Joe O'Donnell, took a picture of the boy standing stoically near a cremation pit. No one knows the subject's name, but the photo has become an iconic image of the human tragedy of nuclear war. This documentary follows the continuing efforts to deepen understanding of the photograph, while exploring the fate of thousands of atomic-bomb orphans and their struggles to survive the aftermath of World War II.