War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
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The Young and the Restless - (Mar 29th)
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The Kelly Clarkson Show - (Mar 29th)
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Gogglebox - (Mar 28th)
**A duel of generations, a school, angry teenagers and lots of rock.** This is a film for young adults that takes advantage of traditional teenage rebellion and the talent of Christian Slater, a good script and a good soundtrack. It's not masterful, but it's ideal for a Saturday afternoon and has aged very well: thirty years after it was made and marketed, it's still young and fresh. The story focuses on a clandestine radio station created by an angry and angry teenager who was forced to move house and is in a place where he doesn't know anyone and doesn't even feel comfortable. The radio is an outlet, it is a means of expressing inner anger, and it is nothing truly serious, but it becomes increasingly relevant as it acquires a very loyal local audience, who listen to him as if he were a guru without even knowing it. his identity, and allows himself to be carried away by his words in a wave of riots and protests that are directed, in particular, against the management of the local high school. The story is quite good, it is well written, and the duel between the two characters (the young teenager assumed to be the radio presenter and the plenipotentiary director of the school) mirrors not only the oldest conflict of generations but also the permanent conflict between powerful and weak in society. None of this is particularly new, but the way it is served and presented was creative and wonderfully entertaining. The problem here is that it's a film for teenagers, it's too light, and it lacks secondary characters that are at least as complete and impactful as the two central characters. Christian Slater lived in his youth, the happiest days of his career, and gave us good characters in good films. With time and success, he became a star and almost a synonym of rebellion and irreverence, an apprentice of James Dean who exploded onto the screen, guaranteeing the success of his films and the influx of young people to the cinema. Time, however, would show that Slater was, in each film, playing a single character, which was the one he tried to revive in his personal life, increasingly complicated by addictions and problems with the authorities. Annie Ross, on the other hand, gives us mature, well-developed work, suitably dark and dense, never allowing Slater to feel alone in the spotlight. On a technical level, it is in the soundtrack that we find the film's strong point. The songs include hit songs by Leonard Cohen, Pixies, Ivan Neville and Cowboy Junkies, and most of them are very easy to know for anyone who lived through the 90s and 2000s, that is, everyone or almost everyone. The rest doesn't really matter: with no mistakes to regret, it doesn't exceed the average at any particular point.
A 15-year-old Somalian boy meets a 40-year-old Iranian man in a refugee camp in Skåne, in the south of Sweden. With the threat of deportation hanging over them, they decide to take their faiths in their own hands and together they go on a journey in the Swedish summer.
The executive producers of High School Musical keep the good times rolling with this upbeat musical comedy set in the one place every American teenager's home away from home - the local shopping mall. Ally (Nina Dobrev) is an optimistic adolescent singer/songwriter whose hard working mother owns the mall music shop frequented by every teen in town. When Ally shares her music with Joey (Rob Mayes), a janitor in the mall who harbors rock star ambitions, she is thrilled to find someone who can truly relate to her songs as well as her heart. Trouble looms on the horizon, however, in the form of the mall owner's spoiled rotten daughter Madison (Autumn Reeser). Madison is the kind of girl who's used to getting whatever she wants, and what she wants now could prove disastrous for both Ally's ambitions, and her mother's popular music store.
On the third anniversary of a cult's failed chemical attack on Tokyo and their subsequent mass suicide, family members of those affected gather at the cult's former base on the shores of a lake to observe the anniversary of their loved ones' deaths.
Josie Alibrandi is 17 and doesn't know where she belongs. This year, however, everything is going to change. Josie will face her fears, uncover secrets and even discover the true identity of her father.
Hanging out with friends, smoking a lot, spinning bottles and kissing, making mistakes, playing, refusing to accept, dreaming with open eyes - life as a teenager can be overwhelmingly beautiful and difficult at the same time. In her debut, the Ukrainian director composes a deeply emotional and multi-layered portrait of a generation whilst seamlessly flowing between the fictional and the documental.
Tahir Agha sells all his assets when his business in Maraş deteriorates. He immigrates to Istanbul with his wife Hatice, sons Selim, Murat, Kemal and daughter Fatoş, where he sets his mind to open a repair shop. But in the metropolis, things don't go as planned.
A young journalist goes deep undercover within a mountain commune and becomes manipulated by a duplicitous cult leader.
A single mother and her embattled son struggle to subsist in a small Mississippi Delta township. An act of violence thrusts them into the world of an emotionally devastated highway store owner, awakening the fury of a bitter and longstanding conflict.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
Two men share an odd friendship while they care for two women who are both in deep comas.