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I watched this back-to-back with the newer (as of January, 2019) Nutcracker movie (The Nutcracker and the Four Realms [2018]) and I liked this one better as it is more attuned for kids and as my 10-year-old said, it's more "Christmassy" than the Four Realms one. I can understand the low ratings as maybe those who rated this low might have been expecting a holiday movie and was turned off by the heavily sci-fi and dystopian society renderings. Well, for me it wasn't that bad. I wasn't expecting anything as I never knew about any of the original Nutcracker story that this might have been based on or haven't seen a Nutcracker ballet performance. I just wanted to watch a holiday movie with my family and this looked okay. Story seemed simple and child-friendly enough that I wouldn't give this one a bad rating. And comparing this to the more recent Nutcracker movie which we watched after this one, the new one was from Disney and was obviously budgeted a lot more with bigger stars so we were sort of expecting a lot more. But we were let down by the newer offering as the plot was severely lacking excitement there. It was boring. And in the end, hard to care for. This one at least, for me and my boy, offered a bit of excitement and action and got us a bit more invested in while watching. Rating: 7/10
Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.
Molly and Terry Donahue, plus their three children, are The Five Donahues. Youngest son Tim meets hat-check girl Vicky and the family act begins to fall apart.
A biopic of the late musician Dédé Fortin, the singer, songwriter, and founder of a very popular Québécois band called "Les Colocs".
Life becomes troublesome when 10-year-old Kalle's newborn sister has a birth defect on her back resembling wings. Only he sees the true miracle of his sister's odd appendages. When she is sent to the renowned Plastic Palace Clinic of cosmetic surgery for an amputation, Kalle sets out on a rescue mission. On the road, he meets Alf, a reclusive mechanic, who agrees to help. Together, they take off in Alf's vintage Cadillac in a race against time through an autumn-colored world of song and dance.
Following the benevolent King's disappearance, the Evil Queen dominated the once fair land with a cruel streak. Princess Snow White flees the castle when the Queen, in her jealousy over Snow White's inner beauty, tries to kill her. Deep into the dark woods, she stumbles upon seven magical dwarves and a young bandit named Jonathan. Together, they strive to survive the Queen's relentless pursuit and aspire to take back the kingdom.
The youngest of King Triton’s daughters, and the most defiant, Ariel longs to find out more about the world beyond the sea, and while visiting the surface, falls for the dashing Prince Eric. With mermaids forbidden to interact with humans, Ariel makes a deal with the evil sea witch, Ursula, which gives her a chance to experience life on land, but ultimately places her life – and her father’s crown – in jeopardy.
A bright young yeti finds something he thought didn't exist—a human. News of this “smallfoot” throws the simple yeti community into an uproar over what else might be out there in the big world beyond their snowy village.
The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.
The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.
A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.
Two entertainers destined for the big time are mismatched in a casting office from two very different online contests. Tony, a stripper from New York, is cast in an Off-Broadway musical and needs to trade in his tear-away trunks for tap shoes and tights. Anthony, a naive musical theatre enthusiast from Montana, needs to decide if he can strip all the way down just to stay in town. Hilarity ensues as they realize that "to make it" they're gonna have to learn some new tricks.